Recueil composé de six bois; le clown, l’homme orchestre, l’écuyère, la folle, le pirate, le vieil. La planche de titre (jaunie) numbered and signed à la plume by the artist. Impressions on thin japan paper, chacune sous passe-partout de l’époque. Le tout dans une chemise cartonnée avec une vignette collée de l’artiste. Rare foxings à […]

Good impression on wove paper printed in Colors, annotated “Epreuve (not corrected)”, signed and annotated again at foot. Some creases; tiny stain and slight marginal oxidation.

Good impression glued by three angles on strong old laid paper; rests of glued on the back; rare small stains. Copy executed in the same direction as that of Étienne Delaune, engraved two years later.

Good impression on laid paper in colors of the time. Small stain (?) in the middle towards the rights and probable trace of passe-partout at the window of the mounting. Small margins. Framed : not examined outside the frame.

Collection of engraved portraits, titled “Le Cours des Écclésiastiques”. Very high volume formed in the middle of the XVIIth century compresing about 331 glued portraits, mostly of religious persons, french and flemish, of the XVIth and XVIIth centuries. In folio, in brownish calf binding of the time (ca 1660). Some defects to the binding. We […]

Impression on strong wove paper, signed. Some small tears in the wide margins and uniform oxidation. Publisher’s stamp Hessèle (Lugt n°554).

Wilton-Ely n°49. Very good impression on laid paper. Good margins. Planche des différents travaux d’architecture, perspectives, grotesques and antiquités. Watermark : fleur de lys encerclée.

Robert-Dumesnil nr 1 (II/IV). Malgouyres, exhib. “Mellin” nr 18a (II/V). Very good impression of 2d state (of 5), before all letter. Some tiny thin paper areas at foot; two or three tiny marginal tears and slight horizontal median crease. Small margins on three sides. Our impression, on an italian paper, is rare. None impression of […]

Good impression on wove paper printed in black and red chalk at the location. Some rare foxings, mostly visible on the back; some small snags on the subject, one causing a tiny hole; slight small break at center. Good margins.

Drawing rubbed with red chalk on the reverse. Rests of backed paper on the backside.

Bartsch Ill. nr 47 (II/II) and 32. Very good impressions trimmed at the platemark, of the only state or of 2nd state (of 2). Some thin paper areas on the corners; rests of mounting paper on the back side and some small stains mostly visible on the back side. Plate for “Petites études de têtes […]

Bartsch nr 30; New Hollstein nr 30. Very good impression trimmed out the border. Rests of mounting paper on the back. Plate to the set of “The fall and Rédemption of man…”.

Set of 15 engraving mostly by etching by Roux-Champion (7), E. Bernard, M. Denis, G. d’Espagnat, P. Gobillard, M. Luce, D. de Monfreid, K. X. Roussel (in red chalk) and L. Valtat. Impressions on japan paper in its box and with the different texts.

Robert-Dumesnil nr 5 (II/IV). Very good impression trimmed on the platemark of 2nd state (of 4), with Langlois’s address. Short tear formerly restaured at foot; slight circular stain near the title; held in place by dots of glue on the left side. Second plate of a set of four “Heures du jour”. Ex collection…

Robert-Dumesnil nr 67 and 68. Very good impressions de deux compositions formant pendant, of the only state. Vertical median crease habituel; some stains mostly marginal. Edition end XVIIth or beginning XVIIIth century. Wide margins. Les sujets représentent des plafond peints au château de Chilly, probably by François Perrier, for le marquis d’Effiat.

New Hollstein (van Dyck) nr 69. Very good impression of the last state. Slight marginal oxidation. Wide margins. Edition about 1720. Pieter de Jode holds in his left hand a sheet of paper and the engraver’s tools as well as a platemark are placed on the table.