Hollstein nr 1281 (I/II). Good impression trimmed at the platemark, of first state (of two), before the inscription at the top and Galle’s name. Creases and vertical fold open at foot; some stains; point of the lower right angle ripped off; formerly backed; some thin paper areas; rests of mounting paper and of glue on […]
Impressions on laid paper, often with two subjects by sheet. Foxings, marginal folds, creases; the plates was used. The title plate and the portrait of the artist by Gole are added. Edition probably of the widow Jean ca 1830.
T. Dufresne nr 16. Very good impression on laid paper, numbered and signed. Very slight trace of an old mounting paper. Edition of 25 impressions. Dry stamp of the editor Sagot (Lugt nr 2254)
I.F.F. undescribed (?). Very good impression printed in colors. Creases; rests of mounting paper on the back; tiny small marginal defects. Very rare. We can bring near our print of that of a “Sleeper”, (cf I.F.F. nr 26-Doucet) of similar subject and dimensions.
Exhib. “Bosse” nr 200 (I/II). Good impression of first state (of two), with Le Blond’s address. Important vertical tear at right hastily repair of approximately 11 cm; thin paper area; dirt mostly on the back; a wormhole in a bordure. Small margins.
New Hollstein nr 91 (II/II). Very good impression of 2nd state (of 2), with the numbers. Some very slight creases. Small margins. Plate to the set of “Views of Amsterdam”. Ex collection J.F. Bianchi.
Préaud nr 73. Very good impression of the only state. A strip of paper (of the time ?) added at top on the back; many creases in the letter and some other in the subject, one diagonal tearing very slightly at the end of edge. Small margins. Rare in this print quality.
Lewis and Lewis nr 5 (IX/X). Good impression du 8 or 9e state (of 10), with G. J. de Rossi’s address. Breaks and folds, mostly marginal and on the edges; vertical median crease; two or three tiny tears renforcées au centre. Good margins. Edition end 17e or beginning 18e century. Watermark : lily flower in […]
Morane nr 4. Very good impression on flier china paper, printed in colors, signed and numbered. Small foxings mostly visible on the back and in margins; short marginal tear and some creases. Wide margins. Edition of 100 impression for the “Galerie d’estampes originales” of A. Vollard.
Dessin titré en bas à droite. Frédéric Faber, peintre d’animaux et de paysages, fonda une fabrique de porcelaines and was nommé peintre sur porcelaine de la Cour. Provenance : chevalier Camberlyn (selon une annotation au verso). Some rare piqûres; slight oxidation.
M. and Thibaudeau nr 571 (I/III). Very good impression on wove paper of first state (of three), signed. Tiny creases and rests of mounting paper on the back.