Kraemer nr . Good impression on china paper laid down on thin wove paper, published in “Paris à l’Eau-forte” during may 1874. Strong fold mostly marginal. Ex collection Charles Guillemain (Lugt nr 4764).
Good impression of the last state. Edition of beginning XVIIIth century. Wide margins. Pieter de Jode called the old (1570 Anvers – 1634 Anvers) was a flemish engraver; he produced a significant number of prints after Italian Renaissance masters.
Bartsch nr 152 to 159; New Hollstein nr. Complete set of eight engraving. Good impressions, mostly lacking shelf life except for the last one which comes from P. Mariette with the date 1669. Stains and accidents.
Hollstein nr 7 (IV ?/ VI). Good impression of 4th state ? / of 6, before Mariette’s address (?). Creases essentially on the right side. Small margins. Watermark : papermaker’s mark. Plate for the set of six “landscapes in the vicinity of Rome”.
Martens nr 172 (II/ ). Griffith and Carey nr 66. Very good impression on laid paper, of 2nd state (of ), with the number. Strong horizontal médian fold; glued by a few points; stain at upper left; other small defects. Small margins. Plate from the portfolio ” d’estampes of landscapes” of the artist published in […]
Hollstein nr 12 (I/IV). Very good impression of first state (of 4), with Swanevelt’s address. A small épidermure on center; an other (?) repaired in the sky at right; small stains in the angles and a few very short tears aux bords. Thread margins.
Robert Dumesnil nr225 to 236 (I/II); exhib “La gravure française à la renaissance” nr 106; J. Rohou “Gravure Renaissance, Étienne Delaune et les arts décoratifs” n°37a. Very good impressions trimmed at the borderline or slightly into this one, of first state (of 2), before F. Langlois’s address. Rests of mounting paper on the back of […]
Martens nr 170 (II/II). Very good impression on laid paper, of 2nd state (of 2), with the number. Glued by the angles on laid paper; Three small tears coming from a few millimeter in the subject; a few creases mostly visible in rasing light and a few stains. Small margins.
Hollstein nr142. Very good impression. A few small thin areas paper, mostly on the corners and rubbing traces. Thread margins. Our impression dates from the early days of the mezzotint technique. From an unidentified collection.
Good impression on laid paper printed in colors. Tiny brown stain above the fisherman. Stamp of the artist with her inscription on the back (Lugt nr 2725). Ex collection R. Peltzer (Lugt nr 2231).
Hollstein nr 329. Very good impression of the only state (?). Small tear hâtivement repaired in the upper left corner; vertical median crease and some other small creases. Small margins. Watermark : countermark “IV”. Second plate for a set of five landscapes.