Robert-Dumesnil nr 32 (I/II). Thuillier nr 181 (II/II). Very good impression trimmed at the platemark, of first plate (of 2), fefore Weyen’s address deletion. Fixed by the corner on wove paper; small skinned paper areas in the sky and vertical fold at right. Last plate of the set of six “Landscapes”. Ex collection Robert-Dumesnil (Lugt […]
Hollstein nr 65 (II/II). Good impression of 2nd state (of 2). Some creases mostly on the corners; three or four very short marginal tears or incoming very slightly in the platemark, some reinforced. Small margins. Edition of the end of XVIth or beginning of XVIIth century. Watermark : standing bishop (?) and letter “CIV” (?).
Hollstein nr 15. Good impression of the only state. Oxidation of the sheet; foxings; four wormhole or by pin; some vertical creases. Small margins. Watermark : stationer’s name and coat of arms (?). Edition probably slightly late. The painting by Rubens (and his workshop) is preserved à l’Académie de View.
Poncetton nr 60 (I/II). Very good impression on laid paper of first state (of two), avant des travaux à la pointe sèche, signed and annotated “1e état – 1ère épreuve”. Soft creases at top; two tiny thin paper areas. Good margins. Rare.
New Hollstein (Stradanus) nr 327 (I/III). Very good impression of first state (of 3), awith Philippe Galle’s address. Some tiny pinholes; some very rare stains and slight creases mostly marginal. Good margins. Plate to the set of “New inventions of Modern Times”. Watermark : double C crowned.
Beraldi nr 341 (VIII/IX). Good impression on japan paper, of 8th state (of 9), before the letter, dedicated and signed by pen. Some very rare defects in the subject; some small marginal accidents; foxing on the back.
Robert-Dumesnil nr 98 (?/IV); cf Bartsch XV 267.98. Very good impression trimmed at the borderline of an indetermined state (of 4). Glued by the edges on laid paper; two small tears, one in the upper left corner, other in the letter; creases mostly soft and rare other defects.
Hollstein nr 1281 (I/II). Good impression trimmed at the platemark, of first state (of two), before the inscription at the top and Galle’s name. Creases and vertical fold open at foot; some stains; point of the lower right angle ripped off; formerly backed; some thin paper areas; rests of mounting paper and of glue on […]
Impressions on laid paper, often with two subjects by sheet. Foxings, marginal folds, creases; the plates was used. The title plate and the portrait of the artist by Gole are added. Edition probably of the widow Jean ca 1830.
T. Dufresne nr 16. Very good impression on laid paper, numbered and signed. Very slight trace of an old mounting paper. Edition of 25 impressions. Dry stamp of the editor Sagot (Lugt nr 2254)
Exhib. “Bosse” nr 200 (I/II). Good impression of first state (of two), with Le Blond’s address. Important vertical tear at right hastily repair of approximately 11 cm; thin paper area; dirt mostly on the back; a wormhole in a bordure. Small margins.