Signed. Strong thin paper areas in the corners.

I.F.F. nr 14 (II/III). Very good impression trimmed at the platemark, the tablet trimmed of few mm at foot, of 2nd state (of 3), before Mariette’s address. Horizontal median crease, more marked on the right. Rare in this quality of impression and of conservation.

Hollstein nr 106 (II/IV). Very good impression irregularly trimmed at the platemark, of 2nd state (of 4), with artist’s address. Glued by the corners on old laid paper; two slight vertical creases and slight soft creases in the corners. Plate to a set of four “Landscapes”.

I.F.F. Nr. 439. A very fine print on antique laid paper, annotated in another hand: “Don de Mr. Bracquemond, 17 mars 1895.” Two very slight creases and a light dusting of dust. The plate served as the frontispiece for the book *Une figure d’artiste – Louis Martinet, 1814–1894* by G. Ribeaucourt. Our proof is likely […]

Delteil nr 240 (?/XII). Good impression of an indetermined state (of 12), annotated “? état”. Small depressions visible in the center under raking light; Slight trace of marginal mat and tiny stains. Small margins.

Heinrich ALDEGREVER
1502 Paderborn + ca 1555 – 1561 Soest
Burin original

Van den Noort nr 121 (I/II). Very good impression on strong wove paper, of 1st state (of 2), before Delâtre’s address. Good margins. Rare. An impression encountered by Van den Noort of 1st state is annotated “tiré à 8 épr.”

Thick ivory celluloid cut to the subject. Rare.

Very good impression on strong laid paper, printed in colors and rehaussée de gouache. Small foxings mostly marginal and on the back; rubbing trace. Good margins. Antonio Balestra (1666+1740), italian painter, also executed également some beautifull etchings. Plate to the set “Rittrati di Pittori…” 1789 and next.

Exhibition : Images du Grand Siècle, nr 78. Good impression printed on silk of the only state, the slightly blurry image, especially at foot and on left. A few defects at silk, a small hole under the foot of Mary-Magdalene, a few rare stains. Very rare. Our engraving adopts the model initiated by Jean de […]

Tabanelli nr 46 (I/II). Very good impression on laid paper of first state (of 2), before the ombrella, the cushion and the pinting, signed and dedicated “à mon ami Sagot”. Rares handling creases and rests of sticky paper at top on the back. Good margins.

Malassis and Thibaudeau nr 565 (II/VI?); Bliss nr 565; I.F.F. nr 243. Very good impression on laid paper of 2nd state (of 6) before the platemark reduced, heightened by the artist and signed. Small margins. The first three states would have only been drawn in a total of 24 trials.

Hollstein nr 7; P. Lafond nr 7 (after Bosch); Exhib. Fondation Custodia, Hieronymus Cock : The Renaissance in Print nr 62 (attributed to C. Cort). Good impression trimmed out the engraved frame, the letter cropped, of first state (of 2), with Cock’s address. Many small thin paper areas and small tears restored; vertical tear restored […]

Malassis and Thibaudeau nr ? Bliss nr 659 (I/II). Good impression on laid paper, signed, of first state (of two), before reducing platemark. Marginal tear at top; some creases mostly in the upper margin. Good margins. Edition of about 15 impressions in this state. Rare

Malassis and Thibaudeau nr 643; Bliss nr 643. Very good impression on old laid paper, (largement rehaussée) by the artist and signed. Rests of mounting paper on the sides of the back. Small margins.