New Hollstein (after Goltzius) nr 548 (II/II) and 550 (II/II). Very good impressions of 2nd state (of 2), with the engraved numbers. Some creases, mostly in the corners. Thread margins. Plate to the set of “Ovid’s Metamorphoses”, 1589, including 20 subjects.

Hollstein nr 250 (III/III). Very good impression of the last state, with the numbers. Good margins. Plate from the second part of “Landscapes”.

Van den Noort nr E.132 (II/II). Very good impression on laid paper, published in the “Société des Aquafortistes” during 1864. Some creases mostly soft and mostly marginal; slight stains on the edges of margins. Wide margins.

Robert-Dumesnil nr 61 (V/V). Very good impression trimmed at the platemark of the last state. Some slight creases. Seventh plate to a set for pour the “Roman comique” by Scarron of which only part was engraved by the artist.

Traces of adhésive in the upper corners; vertical stains in the lower part; small lack in the angles. On the back an old inscription by brown ink in italian.

New Hollstein nr 282 (II/II). Good impression of 2nd state (of two). Significant vertical tear restored about 40mm at top; small marginal lacq restaured at top and in the upper right corner; some small thin paper areas. Thread margins. Edition ogf XVIIIth century.

Recueil composé de six bois; le clown, l’homme orchestre, l’écuyère, la folle, le pirate, le vieil. La planche de titre (jaunie) numbered and signed à la plume by the artist. Impressions on thin japan paper, chacune sous passe-partout de l’époque. Le tout dans une chemise cartonnée avec une vignette collée de l’artiste. Rare foxings à […]

Good impression on wove paper printed in Colors, annotated “Epreuve (not corrected)”, signed and annotated again at foot. Some creases; tiny stain and slight marginal oxidation.

De Grazia Bohlin nr 207 (II/II). Good impression of 2nd state (of 2), the date changed. Upper left corner turn off; some small creases. Thread margins on three sides; small margin at foot. Watermark : anchor (?) encircled and topped with a star. Plate forming frontispiece of “Opera omnia” by Aldrovandi in 1606.

Collection of engraved portraits, titled “Le Cours des Écclésiastiques”. Very high volume formed in the middle of the XVIIth century compresing about 331 glued portraits, mostly of religious persons, french and flemish, of the XVIth and XVIIth centuries. In folio, in brownish calf binding of the time (ca 1660). Some defects to the binding. We […]

Impression on strong wove paper, signed. Some small tears in the wide margins and uniform oxidation. Publisher’s stamp Hessèle (Lugt n°554).

Wilton-Ely n°49. Very good impression on laid paper. Good margins. Planche des différents travaux d’architecture, perspectives, grotesques and antiquités. Watermark : fleur de lys encerclée.

Drawing rubbed with red chalk on the reverse. Rests of backed paper on the backside.

Lieure nr 476 (I/II). Good impression of first state (of 2), before the engraved number. Glued in part on old laid paper; slight small stains. Thread margins. Plate of the set of “Caprices” engraving in Nancy.

J. Lothe nr 279; Duplessis nr 1375. Good impression trimmed at the platemark, with Le Blond’s address. Second plate of the set “Le Mariage à la ville”.

Bartsch nr 30; New Hollstein nr 30. Very good impression trimmed out the border. Rests of mounting paper on the back. Plate to the set of “The fall and Rédemption of man…”.