Émile BOILVIN
1845 Metz + 1899 Paris
Soft ground etching and etching

Émile BOILVIN
1845 Metz + 1899 Paris
Etching and soft ground etchin

Émile BOILVIN
1845 Metz + 1899 Paris
Etching and soft ground etchin

Emile de SPECHT
1845 Saint Denis + 1909
Monotype repris à la plume et encre

Emile de SPECHT
1843 Saint Denis + 1909
Monotype retouched

Drawing titled. Some slight creases.

Dessin titré en bas à droite. Frédéric Faber, peintre d’animaux et de paysages, fonda une fabrique de porcelaines and was nommé peintre sur porcelaine de la Cour. Provenance : chevalier Camberlyn (selon une annotation au verso). Some rare piqûres; slight oxidation.

Titled at foot on center. Annotated on the back by a main “recent” : “6 modèles ayant servi pour des assiettes commandées par le Roi de Hollande”. Rares piqûres and slight oxidation.

Ernest MEISSONIER
1815 Lyon + 1890 Paris
Etching

Delteil nr 65 (II). Delteil-Strauber nr 65 (II/VII). Very good impression on wove paper of 2nd state (of 7), with Motte’s address and bearing du certificat de tirage. Some slight small foxings mainly marginal; handling creases, mainly marginal. Rare. Our impression bears the stamp of censorship, à la date du 6 février 182(8) and signed […]

1864 Paris + 1938 Paris

Very good impression on wove paper, signée. Good margins.

Eugène ISABEY
1803 Paris + 1886 Montévrain
Etching, dry point and wash effect

A. Curtis nr 64 (II/III). Very good impression on china paper applied on wove paper, of 2nd state (of 3), before the change in the letter. Creases mostly marginal; small défects at the edges of margins. Plate to the set of six “marines”. Dry stamp of V. Morlot, editor.

Evariste Vital LUMINAIS
1821 Nantes + 1896 Paris
Etching

Beraldi nr 517. Bouillon Af 11 (?/V). Very good impression on old laid paper, of an indetermined state, probably print with “cache-lettre”. Small marginal stains. Good margins.