John Lewis BROWN
1829 Bordeaux + 1890 Paris
Soft ground etching

Harris nr 234. Very good impression on laid paper of the 3rd edition (of 7), published by Loizelet in 1876. Some handling creases; some tiny marginal foxings. Wide margins. Plate to the set of “Tauromachie”.

De Pissarro à Picasso nr 136. Very good impression on laid paper, printed in colors at the location, annotated 1er état and titled. Slight oxidation of the sheet on the back; some handling creases and small defects on the edges of the good margins. Rare. The second state n’a été tiré qu’à 25 impressions.

Jules de GONCOURT
1830 Paris + 1870 Paris
Etching

Jules JACQUEMART
1837 Paris + 1880
Etching

Jules LAURENS
1825 Carpentras + 1901 Saint Didier
etching

I.F.F. nr 86-2. Very good impression on laid paper published in the “Société des Aquafortistes” during 1864. Slight oxidation on the edges of the margins; a slight small break at center, mostly visible on the back; some slight marginal creases. Wide margins. Dry stamp of the editor Cadart and Luquet.

Karl STAUFFER BERN
1857 Trubschachen + 1891 Florence
Etching

Van den Noort nr E.132 (II/II). Very good impression on laid paper, published in the “Société des Aquafortistes” during 1864. Some creases mostly soft and mostly marginal; slight stains on the edges of margins. Wide margins.

Louis LEGRAND
1863 Dijon + 1951 Livry Gargan
Eau-forte originale, aquatinte et pointe sèche.

Louis Pierre HENRIQUEL-DUPONT
1797 Paris + 1892 Paris
Engraving after Coiny

Louis RECOURS
1869 Agen + after 1935
Monotype

Louis ROY
1862 Poligny + 1907 Paris
Lithography

Luigi SCHIAVONETTI
1765 Bassano + 1810 Londres
Etching after William Blake

Luis JIMENEZ ARANDA
1845 Séville + 1928 Pontoise
Etching

Good impression on ocher wove paper, enhanced with watercolor by the artist. Oxidation at the window of an old mounting; marginal crease and tiny stains. Good margins. Edition probably of 12 impressions. Rare.