Charles MERYON
1821 Paris + 1868 Saint Maurice
Etching and dry point

Delteil nr 48; Schneidermann nr 51 (IV/IV). Good impression trimmed at the borderline, the artist’s name and the l’imprimeur rognés at foot, of the last state. Vertical median fold; very small thin paper area at right and tiny other defects. (264 x 431 instead of 271 x 436)

Charles MÉRYON
1821 Paris + 1868
Etching and engraving

Charles MERYON
1821 Paris + 1868 Saint Maurice
Etching

Charles-François DAUBIGNY
1817 Paris + 1878 Paris
Etching

Chez ESNAUTS marchand d’estampes

Etching and engraving

Chez Garnier-Allabre à Chartres éditeur
1782 Versailles + 1834 Chartres
Woodcut

Glued by three angles; some foxings and rares creases. Red stamp from the sale of his workshop (Lugt nr 15).

Constant BOURGEOIS
1767 Guiscard + 1841
Lithography

I.F.F. nr 1-4. Good impression on wove paper. Some foxings; vertical median strong crease. Small margins. Plate for the set “Vues et fabriques d’Italie”, 1803-1805.

Belle épreuve sur vergé en coloris d’époque. Déchirure verticale en-tête d’environ 80 mm; quelques petits trous; plis, traces de plis et taches. Rare. Nous n’avons pas retrouvé mention de cet éditeur et de cette gravure.

French school
Ca 1810
Lithography

Edgar DEGAS
1834 Paris + 1917 Paris
Etching and aquatint

Tabanelli nr 46 (I/II). Very good impression on laid paper of first state (of 2), before the ombrella, the cushion and the pinting, signed and dedicated “à mon ami Sagot”. Rares handling creases and rests of sticky paper at top on the back. Good margins.

Edouard DUFEU
1840 Maucille + 1940 Grasse
Etching