I.F.F. nr 7-1. Very good impression on laid paper printed in colors, numbered and signed. Marginal tear skillfully restored at foot; marginal traces of adhesive and slight crease visible in raking light. Edition of 50 impressions. Good margins.

Charles MAURIN

Charles MAURIN
1856 Le Puy + 1914 Grasse
Eau-forte originale et aquatinte

Schneidermann nr 63 (II/II). Good impression on china paper applied on wove paper, of 2d state (of 2), dedicated and signed by pencil by the model. Strong oxidation of the sheet; the china paper comes off slightly in places. Good margins. The first state, before the signature and the date, is know from only one […]

Schneiderman nr 26 (VIII/X). Superb impression on china paper applied on wove paper, of 8th state (of 10) published by “L’Artiste” in 1852. Small marginale stain; slightly dusty on the margins. Good margins. Our impression, although relatively common because published in the magazinr “L’Artiste”, release a magnificent light, especially due to beige china paper.

Charles MERYON
1821 Paris + 1868 Saint Maurice
Etching and dry point

Delteil nr 48; Schneidermann nr 51 (IV/IV). Good impression trimmed at the borderline, the artist’s name and the l’imprimeur rognés at foot, of the last state. Vertical median fold; very small thin paper area at right and tiny other defects. (264 x 431 instead of 271 x 436)

Charles MÉRYON
1821 Paris + 1868
Etching and engraving

Charles MERYON
1821 Paris + 1868 Saint Maurice
Etching

Charles-François DAUBIGNY
1817 Paris + 1878 Paris
Etching

Chez ESNAUTS marchand d’estampes

Etching and engraving

Chez Garnier-Allabre à Chartres éditeur
1782 Versailles + 1834 Chartres
Woodcut

Glued by three angles; some foxings and rares creases. Red stamp from the sale of his workshop (Lugt nr 15).

Constant BOURGEOIS
1767 Guiscard + 1841
Lithography

I.F.F. nr 1-4. Good impression on wove paper. Some foxings; vertical median strong crease. Small margins. Plate for the set “Vues et fabriques d’Italie”, 1803-1805.