I.F.F. nr 40. Good impression of the first state (of 2), before the flower garland and the complete letter. Some very short tears on the edges, the most important 6mm inlet on the platemark; many creases mainly soft; slight stains. Thread margins or small margins. Watermark : name of paper manufacturer (D. Tamizier).

Jean François Pierre PEYRON
1744 Aix en Provence + 1815 Paris
Etching

Jean François Pierre PEYRON
1744 Aix en Provence + 1815 Paris
Etching

P. de Baudicour nr 6; Wildenstein nr 3. Very good impression trimmed in the platemark, of the only state. Tiny rousseurs éparses, mostly visible on the back; tiny vertical fold of print and very slight diagonal crease. First plate to the set of four “Bacchanales”.

cf I.F.F. nr 1-12 (lacuna). Very good impression. Plate to a set of “livre de paysages” with twelve plates. Youth work, our engraving anticipates the romantic landscape from the end of the century and the following century.

Jean Michel MOREAU the jung (attributed to)
1741 Paris + 1814 Paris
Pen and grey ink and black, grey wash

Jean TOUL
1734 Trêves + 1796 Bordeaux
Black pencil and brown wash

Jean-Baptiste de GRATELOUP
1735 Dax + 1817 Dax
Tools engraving after Dassier

Robert-Dumesnil nr 61 (V/V). Very good impression trimmed at the platemark of the last state. Some slight creases. Seventh plate to a set for pour the “Roman comique” by Scarron of which only part was engraved by the artist.

Jean-Baptiste-André GAUTIER-DAGOTY
1745 + 1783
Manière noire

Jean-Baptiste-Marie PIERRE
1713 Paris + 1789 Paris
Etching after Subleyras

Jean-Jacques FLIPART
1719 Paris + 1782 Paris
Etching and engraving after de La Tour

Jean Jacques LAGRENEE
1740 Paris + 1821 Paris
Etching and wash manner

Exhib. “German Printmaking…” nr 9. Good impressions irregularly trimmed at the subject, of the only state (?). The engraved subjects seem just about complete but the margins of platemarks were trimmed; laid down. Complete set.

Johann Jakob KLEINSCHMIDT
? Augsbourg + 1772 Augsbourg
Etching and engraving

Cf J. Kainen n°23. Très belle épreuve. Trace de pli horizontal médian prononcé; trois petites déchirures marginales et minuscules rousseurs. Petites marges. Planches provenant probablement du volume relié des oeuvres de Jackson, “Opera selectiora…”, 1745.