Carlo LASINIO
1759 Trévise + 1838
Mezzotint

Very good impression on strong laid paper, printed in colors and rehaussée de gouache. Small foxings mostly marginal and on the back; rubbing trace. Good margins. Antonio Balestra (1666+1740), italian painter, also executed également some beautifull etchings. Plate to the set “Rittrati di Pittori…” 1789 and next.

Carlo LASINIO
1759 Trévise + 1838
mezzotint

Very good impression on strong laid paper, printed in colors, with des rehauts de gouache. Small foxings and marginal stains; rubbing trace and a few creases. Good margins. Plate to the set “Rittrati di Pittori…”, 1789 et suivantes.

Carlo LASINIO
1759 Trévise + 1838 Pise
Manière noire d’après Le Guerchin

Charles COYPEL
1694 Paris + 175 Paris
Etching

Charles Melchior DESCOURTIS
1753 Paris + 1820 Paris
Tool engraving after Wolff

Good impression on laid paper in colors of the time. Small stain (?) in the middle towards the rights and probable trace of passe-partout at the window of the mounting. Small margins. Framed : not examined outside the frame.

Christophe GUÉRIN
1758 Strasbourg + 1831 Strasbourg
Etching

Claude-Louis DESRAIS (d’après)
1746 Paris + 1816 paris
Etching and engraving by Dupin

Belle épreuve sur vergé en coloris d’époque. Déchirure verticale en-tête d’environ 80 mm; quelques petits trous; plis, traces de plis et taches. Rare. Nous n’avons pas retrouvé mention de cet éditeur et de cette gravure.

Daniel CHODOWIECKI
1726 Dantzig + 1801
Etching

Good impression on laid paper in colors of the time. Small handling creases; two small stains. Small margins.

Good impression on laid paper in colors of the time. A few small stains and handling creases. Threads margins.

Very good impression on laid paper in colors of the time. Small margins.

Good impression on laid paper in colors of the timpe. Creases and breaks, mostly on the edges; marginal short tear. Small margins.