Good impression on laid paper. Crease at foot; dusty and small stains; a pinhole. Good margins. Plate to a set of six “landscape” in height.

Very good impression. Creases. Small margins. Signature in brown ink in the back by “Durand” (Lugt undescribed).

I.F.F. nr 68 and 59. Good impressions, which could serve as a counterpart, to the future Louis XVIII and his wife. The portrait of the Count of Provence with some foxings and creases; creases at the second with a small foxing on the front. Good margins.

Louis Jean DESPREZ
1743 Auxerre + 1804 Stockholm
Etching

Very good impression on laid paper in colors of the time. Vertical median strong crease, mostly visible on the back. Small margins.

Louis Marin BONNET (under the direction of)
1736 Paris + 1793 Paris
Engraving in chalk manner by Le Clerc

Louis Marin BONNET
1736 Paris + 1793 Paris
Tool engraving after Carl

Louis Marin BONNET direxit
1736 Paris + 1793
Engraving in manner of pencil

Louis Marin BONNET éditeur
1736 Saint Mandé + 1793 Paris
Tool engraving after…

Ludolf BACKHUIZEN
1631 Emden + 1708 Amsterdam
Etching

Michel Barthélémy OLIVIER
1712 Marseille + 1784 Paris
Etching

Michel-Honoré BOUNIEU
1740 Marseille + 1814 Paris
Manière noire originale

Good impression in colors of the time. Some rare stains, mostly marginal; slight oxidation. Small margins. “Place royale” in Paris become “place des Vosges”.

MONDHARE editor in Paris
XVIIIth century
Etching and engraving

Nicolaes VERKOLJE
1673 Delft + 1746
Mezzotint after G. Dou

Nicolas de LARMESSIN
1684 Paris + 1753
Burin d’après van Loo