P. de Baudicour nr 6; Wildenstein nr 3. Very good impression trimmed in the platemark, of the only state. Tiny rousseurs éparses, mostly visible on the back; tiny vertical fold of print and very slight diagonal crease. First plate to the set of four “Bacchanales”.

Jean Michel MOREAU the jung (attributed to)
1741 Paris + 1814 Paris
Pen and grey ink and black, grey wash

Jean TOUL
1734 Trêves + 1796 Bordeaux
Black pencil and brown wash

Jean-Baptiste de GRATELOUP
1735 Dax + 1817 Dax
Tools engraving after Dassier

Robert-Dumesnil nr 61 (V/V). Very good impression trimmed at the platemark of the last state. Some slight creases. Seventh plate to a set for pour the “Roman comique” by Scarron of which only part was engraved by the artist.

Jean-Baptiste-André GAUTIER-DAGOTY
1745 + 1783
Manière noire

Jean-Baptiste-Marie PIERRE
1713 Paris + 1789 Paris
Etching after Subleyras

Jean-Jacques FLIPART
1719 Paris + 1782 Paris
Etching and engraving after de La Tour

Jean Jacques LAGRENEE
1740 Paris + 1821 Paris
Etching and wash manner

Exhib. “German Printmaking…” nr 9. Good impressions irregularly trimmed at the subject, of the only state (?). The engraved subjects seem just about complete but the margins of platemarks were trimmed; laid down. Complete set.

Johann Jakob KLEINSCHMIDT
? Augsbourg + 1772 Augsbourg
Etching and engraving

Cf J. Kainen n°23. Très belle épreuve. Trace de pli horizontal médian prononcé; trois petites déchirures marginales et minuscules rousseurs. Petites marges. Planches provenant probablement du volume relié des oeuvres de Jackson, “Opera selectiora…”, 1745.

John FABER
ca 1684 La Haye + 1756 Londres
Manière noire d’après Murray

John Hamilton MORTIMER
1741 Eastbourne + 1779 Londres
Etching

Joseph FRATEL
1730 Épinal + 1783 Mannheim
Etching after L. Krahe

L. PERCENET
1736 + ?
Etching