Cf J. Kainen n°23. Très belle épreuve. Trace de pli horizontal médian prononcé; trois petites déchirures marginales et minuscules rousseurs. Petites marges. Planches provenant probablement du volume relié des oeuvres de Jackson, “Opera selectiora…”, 1745.

John FABER
ca 1684 La Haye + 1756 Londres
Manière noire d’après Murray

John Hamilton MORTIMER
1741 Eastbourne + 1779 Londres
Etching

Joseph FRATEL
1730 Épinal + 1783 Mannheim
Etching after L. Krahe

L. PERCENET
1736 + ?
Etching

Very good impression. Creases. Small margins. Signature in brown ink in the back by “Durand” (Lugt undescribed).

Louis Jean DESPREZ
1743 Auxerre + 1804 Stockholm
Etching

Louis Marin BONNET (under the direction of)
1736 Paris + 1793 Paris
Engraving in chalk manner by Le Clerc

Louis Marin BONNET
1736 Paris + 1793 Paris
Tool engraving after Carl

Louis Marin BONNET direxit
1736 Paris + 1793
Engraving in manner of pencil

Louis Marin BONNET éditeur
1736 Saint Mandé + 1793 Paris
Tool engraving after…

Ludolf BACKHUIZEN
1631 Emden + 1708 Amsterdam
Etching

Michel Barthélémy OLIVIER
1712 Marseille + 1784 Paris
Etching

Michel-Honoré BOUNIEU
1740 Marseille + 1814 Paris
Manière noire originale

Good impression in colors of the time. Some rare stains, mostly marginal; slight oxidation. Small margins. “Place royale” in Paris become “place des Vosges”.

MONDHARE editor in Paris
XVIIIth century
Etching and engraving