1557 Bologna + 1602 Rome

Agostino CARRACCI
1557 Bologne + 1602 Parme
Engraving after Le Tintoret

Albrecht ALTDORFER
ca 1480 Ratisbonne + 1538
Woodcut

Albrecht DÜRER
1471 Nuremberg + 1528 Nuremberg
Woodcut

Strauss nr 65. Meder nr 15 (a-b/e). Very good impression irrégularly trimmed at the platemark, of the only state a-b (sur e). Some amincissures, surtout en tête; small repair sur l’épaule de Marie-Madeleine and déchirure restaurée dans le bras de la Vierge; some small déchirures restaurées. Plate to the set de la “Petite Passion” on […]

De Grazia-Bohlin nr 21 (II/IV). M. Bury “The Print in Italy” nr 50. Very good impression trimmed out the platemark, of 2nd state (of 4), before V. van Aelst’s address. Some creases, especially horizontal down; rests of mounting paper along the left edge.

Anonymous german, before 1500
End of XVth century
Woodcut

Attributed to Antonius II WIERIX
1555/1559 Anvers – 1604 Anvers
Engraving d’après F. Primaticcio

attributed to Mathias ZÜNDT
ca 1498 active in Nuremberg + 1572
Etching

15?? Vicence + active in Venice since 1560 to 1580

Camillo GRAFFICO
ca 1565 Cividale del Friuli + 1615
Engraving

Camillo GRAFFICO
ca 1565 Civitale del Friuli + 1615
Engraving

Bartsch ill nr 3 (I/II). Very good impression trimmed at the platemark, of first state (of 2), before Mariette’s address. Some small foxings and very sligt stains. Camillo Procaccini n’exécuta que six eaux-fortes. Les traces de polissage du cuivre demeurent très visibles on our impression.

Claudio DUCHETTI editor
Active in Venice and in Rome à partir from 1565 + 1585
Engraving

Cornelis CORT
1533 Hoorn + 1578 Rome
Engraving after J. Bertoja

Cornelis KETEL (attribué à)
1548 Gouda + 1616 Oudekerk (près d’Amsterdam)
Burin