De Grazia Bohlin nr 207 (II/II). Good impression of 2nd state (of 2), the date changed. Upper left corner turn off; some small creases. Thread margins on three sides; small margin at foot. Watermark : anchor (?) encircled and topped with a star. Plate forming frontispiece of “Opera omnia” by Aldrovandi in 1606.
Dimension: 150 portrait 315 platemark mm x 113 portrait 210 platemark mm
Bartsch nr 30; New Hollstein nr 30. Very good impression trimmed out the border. Rests of mounting paper on the back. Plate to the set of “The fall and Rédemption of man…”.
Strauss nr 65. Meder nr 15 (a-b/e). Very good impression irrégularly trimmed at the platemark, of the only state a-b (sur e). Some amincissures, surtout en tête; small repair sur l’épaule de Marie-Madeleine and déchirure restaurée dans le bras de la Vierge; some small déchirures restaurées. Plate to the set de la “Petite Passion” on […]
De Grazia-Bohlin nr 21 (II/IV). M. Bury “The Print in Italy” nr 50. Very good impression trimmed out the platemark, of 2nd state (of 4), before V. van Aelst’s address. Some creases, especially horizontal down; rests of mounting paper along the left edge.
Bartsch ill nr 3 (I/II). Very good impression trimmed at the platemark, of first state (of 2), before Mariette’s address. Some small foxings and very sligt stains. Camillo Procaccini n’exécuta que six eaux-fortes. Les traces de polissage du cuivre demeurent très visibles on our impression.