Strauss nr 65. Meder nr 15 (a-b/e). Very good impression irrégularly trimmed at the platemark, of the only state a-b (sur e). Some amincissures, surtout en tête; small repair sur l’épaule de Marie-Madeleine and déchirure restaurée dans le bras de la Vierge; some small déchirures restaurées. Plate to the set de la “Petite Passion” on […]

De Grazia-Bohlin nr 21 (II/IV). M. Bury “The Print in Italy” nr 50. Very good impression trimmed out the platemark, of 2nd state (of 4), before V. van Aelst’s address. Some creases, especially horizontal down; rests of mounting paper along the left edge.

Anonymous german, before 1500
End of XVth century
Woodcut

Bartsch nr 25 (U. da Carpi); Bartsch Ill nr 25; cf Takahatake “The chiarosccuro wwodcut in Renaissance Italy” p. 130. Good impression printed in two plates of tons and a plate of trait, of 2nd state (of 2), du tirage d’A. Andreani ca 1608-1609. Vertical median fold; some rare creases; contrecollée.

Attributed to Antonius II WIERIX
1555/1559 Anvers – 1604 Anvers
Engraving d’après F. Primaticcio

attributed to Mathias ZÜNDT
ca 1498 active in Nuremberg + 1572
Etching

15?? Vicence + active in Venice since 1560 to 1580

Camillo GRAFFICO
ca 1565 Cividale del Friuli + 1615
Engraving

Camillo GRAFFICO
ca 1565 Civitale del Friuli + 1615
Engraving

Bartsch ill nr 3 (I/II). Very good impression trimmed at the platemark, of first state (of 2), before Mariette’s address. Some small foxings and very sligt stains. Camillo Procaccini n’exécuta que six eaux-fortes. Les traces de polissage du cuivre demeurent très visibles on our impression.

Cornelis CORT
1533 Hoorn + 1578 Rome
Engraving after J. Bertoja

Cornelis KETEL (attribué à)
1548 Gouda + 1616 Oudekerk (près d’Amsterdam)
Burin

New Hollstein (Stradanus) nr 139. Very good impression of the only state (?). Some very slight creases and small stains. Small margins. Plate to a set of seventeen”Éloges de la musique”.

Diana GHISI
1547 Mantoue + 1612
Engraving after G. Romano

Good impression avec le texte typographié, d’une édition incertaine, but very probably before 1500. Slight oxidation on the edges; some very light stains and two very short tear at feet. Plate illustrating l’ouvrage de Sebastien Brandt, “La Nef des fols de ce monde”, 1494 (for the first edition). Watermark : fragment de tête de boeuf.

Etienne DELAUNE
1518/1519 Milan + 1583 Paris
Engraving