Bartsch ill nr 3 (I/II). Very good impression trimmed at the platemark, of first state (of 2), before Mariette’s address. Some small foxings and very sligt stains. Camillo Procaccini n’exécuta que six eaux-fortes. Les traces de polissage du cuivre demeurent très visibles on our impression.

Hollstein nr 25. Good impression trimmed at the platemark, of the only state. Backed; three thin paper areas at top and slight horizontal crease.

Claudio DUCHETTI editor
Active in Venice and in Rome à partir from 1565 + 1585
Engraving

Collection of engraved portraits, titled “Le Cours des Écclésiastiques”. Very high volume formed in the middle of the XVIIth century compresing about 331 glued portraits, mostly of religious persons, french and flemish, of the XVIth and XVIIth centuries. In folio, in brownish calf binding of the time (ca 1660). Some defects to the binding. We […]

Cornelis CORT
1533 Hoorn + 1578 Rome
Engraving after J. Bertoja

Cornelis KETEL (attribué à)
1548 Gouda + 1616 Oudekerk (près d’Amsterdam)
Burin

Good impression avec le texte typographié, d’une édition incertaine, but very probably before 1500. Slight oxidation on the edges; some very light stains and two very short tear at feet. Plate illustrating l’ouvrage de Sebastien Brandt, “La Nef des fols de ce monde”, 1494 (for the first edition). Watermark : fragment de tête de boeuf.

Etienne DELAUNE
1518/1519 Milan + 1583 Paris
Engraving

Etienne DELAUNE
1518/1519 Milan + ca 1583 Paris
Engraving after B. Pellerin

Etienne DELAUNE
ca 1518 / 19 Milan + 1583 Paris
Engraving

Étienne DELAUNE
1518/19 Milan + 1583 Paris
Engraving after Le Primatice

Étienne DELAUNE
1518/19 Milan + 15
Engraving

Robert Dumesnil nr225 to 236 (I/II); exhib “La gravure française à la renaissance” nr 106; J. Rohou “Gravure Renaissance, Étienne Delaune et les arts décoratifs” n°37a. Very good impressions trimmed at the borderline or slightly into this one, of first state (of 2), before F. Langlois’s address. Rests of mounting paper on the back of […]

Étienne DUPÉRAC
ca 1525 Paris + ca 1604
Etching

cf Bartsch XIV-242. Very good impression trimmed in the platemark, before the letter. A few short tears; long diagonal break at left; creases and other small defects. Our engraving copy in the same direction that of Marco Dente, but without the letter nor certain minors works.

follower of Pietro FACCINI
ca 1562 Bologne + 1602 Bologne
Red chalk