Anthonie WATERLOO
1609 Lille + 1690 Utrecht
Etching

Hollstein nr 3. Good impression on beige laid paper of the only state. Small thin paper area in center and in the left margin; small stains and rests of mounting paper in the angles on the back. Plate to the set of four “Evangelists”.

New Hollstein nr 7 (VI/VII). Very good impression of 6th state (of 7), with the small features above the “M” of Adam. Tiny foxing point and marginal small hole associate; tiny other defects. Good margins. Edition ca 1720. Watermark : letter “Kit” (?).

Antoine COYPEL
1661 Paris + 1722 Paris
Eau-forte originale

Antoine COYPEL
1661 Paris + 1722
Etching

Antoine Louis BARYE
1796 Paris + 1875 Paris
Lithography

Antoine Louis BARYE
1796 Paris + 1875 Paris
Lithography

Antoine MASSON
1636 Couvry + 1700 Paris
Engraving

Antoine PIERRETZ
active about 1660
Etching after Poissant

Bartsch Ill. nr 30 (172). Good impression trimmed on or out the borderline, printed by two plates, one in light green, the other in black. Folds and creases mostly visible in raking light, some inherent at the edition; held by the left edge on a sheet of framing.

New Hollstein nr 3 (V/VI). Good impression of 5 state (of 6), les initiales de G. Hendrick effacées. Oxidation of the sheet; slight pli d’impression dans l’angle inférieur droit. Wide margins. Watermark : grapes.

Antonio TEMPESTA
1550 Florence + 1630 Rome
Etching

Bartsch Ill. 1098 (165). Good impression trimmed in the platemark, with engraved number. Glued by the upper edge. Plate to the set of “Various animal hunst and battle scenes”, 1602

Armand BERTON
1854 Paris – 1927
Etching

I.F.F. nr 97. Very good impression on simili japan paper, signed. Very slight oxidation and tiny foxings; marginal thin paper areas on the back. Good margins. Dry stamp of “Cercle de la Librairie”.

Our drawing is probably preparatory of an atching by Berton. Signed bottom left. Creases at lower right; some tiny small foxings. Provenance : André Barrier (without mark).