Le Blanc undescribed. Cupper plate engraving after the original painting of Wouwerman by Michel Picquenot (1747 Rouen + after 1808)

after Pierre Narcisse GUERIN
1774 Paris + 1833 Rome
Lithography by Belliard

Hollstein nr 15. Good impression of the only state. Oxidation of the sheet; foxings; four wormhole or by pin; some vertical creases. Small margins. Watermark : stationer’s name and coat of arms (?). Edition probably slightly late. The painting by Rubens (and his workshop) is preserved à l’Académie de View.

after Pierre Paul RUBENS
1577 Siegen + 1640 Anvers
Mezzotint after Rubens

Robert-Dumesnil nr 105 to 119. Very good impressions. Complete set of a title, a frontispeice and thirteen plates. A foxing at the limit of the composition in plate 4; few rare small stains and marginal foxings otherwise very good condition. Edition about 1680-1700.

Agostino CARRACCI
1557 Bologne + 1602 Parme
Engraving after Le Tintoret

Agostino CARRACCI
1557 Bologne + 1602 Parme
Engraving after The Tintoret

1557 Bologna + 1602 Rome

Agostino CARRACCI
1557 Bologne + 1602 Parme
Engraving after Le Tintoret

De Grazia Bohlin nr 207 (II/II). Good impression of 2nd state (of 2), the date changed. Upper left corner turn off; some small creases. Thread margins on three sides; small margin at foot. Watermark : anchor (?) encircled and topped with a star. Plate forming frontispiece of “Opera omnia” by Aldrovandi in 1606.

Albert BELLEROCHE
1864 Swansea + 1944 Southwell
Lithography

Albert BELLEROCHE
1864 Swansea + 1944
Lithography

Albert BELLEROCHE
1864 Swansea + 1944 Southwell
Lithography

Albert FLAMEN
Actif à Paris + ca 1669 Paris
Etching

Albert FLAMEN
ca 1620 Paris ? + after 1669 Paris
Etching

Robert-Dumesnil nr 440 (II/III). Very good impression of 2nd state (of 3), with the number. Slight vertical crease at left; some slight foxings. Good margins. Second plate to a set of twelve illustrating the “Troisième partie des Poissons de Mer”. Watermark : coat of arms.