Adriaen van OSTADE
1610 Haarlem + 1685 Haarlem
Etching and engraving

Impressions on laid paper, often with two subjects by sheet. Foxings, marginal folds, creases; the plates was used. The title plate and the portrait of the artist by Gole are added. Edition probably of the widow Jean ca 1830.

Adriaen van OSTADE
1610 Haarlem + 1685 Haarlem
Etching

Adriaen Van OSTADE
1610 Haarlem – 1685 Haarlem
Etching

New Hollstein nr 32 (V/V). Very good impression trimmed at the platemark, of the definitive state, with the last small retouches. Some very légères creases and some very slight stains visible on the back. Edition of XVIIIth century.

Good impression on laid paper, signed. Innumerable small foxings. Good margins. Plate to the set “La femme et la guerre”, 1920

Very good impression on laid paper, signed. Small margins. Plate to the set “La femme et la guerre”, 1920

Very good impression on laid paper, signed. Tiny marginal tear and tiny creases. Small margins. Plate to the set “La femme et la guerre”, 1920

Adrien MANGLARD
1696 Lyon + 1760 Rome
Etching

after E. A. PETITOT
1727 Paris + 1801 Parme
Etching by Boucher son

New Hollstein (van Dyck) nr 144. Very good impression. Slight oxidation mostly visible on the back; a few slight creases. Good margins. Edition of beginning XVIIIth century. The original painting by van Dyck was sold at auction in December 2014 for nearly 3 million pounds. Liberti was a chorister and organist at Antwerp Cathedral for […]

Good impression of the last state. Edition of beginning XVIIIth century. Wide margins. Pieter de Jode called the old (1570 Anvers – 1634 Anvers) was a flemish engraver; he produced a significant number of prints after Italian Renaissance masters.

L. Marchesano and C. Michel nr 3; Robert-Dumesnil nr 42. Very good impression in two sheet assemblées. Slight foxings, mostly in the lower. Vertical median fold; some tiny épidermures and some marginal short tears. Girard Audran and Gérard Édelinck traduisirent, between 1672 and 1678, les grandes toiles peintes par Charles Le Brun illustrant les Batailles […]

Good impressions. Some creases; a sligt diagonal break at left. Small margins.

after David TENIERS
1610 Anvers + 1690 Bruxelles
Etching

after Ferdinand ROYBET
1840 Uzès + 1920 Paris
Etching