Kraemer nr . Good impression on china paper laid down on thin wove paper, published in “Paris à l’Eau-forte” during may 1874. Strong fold mostly marginal. Ex collection Charles Guillemain (Lugt nr 4764).

Armand GUILLAUMIN
1841 Paris + 1927 Grignon
Autographie originale

Armand GUILLAUMIN
1841 Paris + 1927 Orly
Lithography

Armand QUEYROY
1830 Vendôme + 1893 Moulins
Etching

Rouir nr ? Very good impression on strong wove paper, signed. Very few trace of passe-partout; slight rubbing trace and rests of glue on the back. Small margins.

Rouir nr 382 (?/III). Very good impression on simili japan paper, probably of 1st state (of 3), before new works, signed by the artist. Our impression is annotated at foot maybe by the artist “Ars longa Vita brevis 3 épreuves”. Good margins. Rare.

Très belle épreuve rehaussée à l’aquarelle à l’époque. Infimes taches et traces de plis. Bonnes marges. Planche pour le “Recueil de la Collection des Prix que la ci-devant Académie d’Architecture proposait et couronnait tous les ans”, 1787-1796 (?)

Very good impression printed in colors on strong wove paper. Slight waterstain, mostly visible on the back. Rare. The engravings of Lefort des Ylouses involve complex techniques, very difficult to define. Starting with etching, it gains a certain relief, both by the thickness of the inks – of color – and by embossing the paper. […]

Good impression trimmed at the platemark printed in brown. Small lack in the lower right corner; break in the upper left corner. Rare.

Thick ivory celluloid cut to the subject. Rare.

I.F.F. nr 40. Good impression on strong wove paper withe the title engraved at foot. Some stains on the back some very slightly visible on the front. Slight empoussiérage. Thread margins.

Thick ivory celluloid, circular in shape. Rare

assigned to Jonas UMBACH
ca 1624 Augsbourg + 1693 Augsbourg
Etching

Très belle épreuve sur vergé annotée en pied “première planche de Brouet”. Quelques légères rousseurs visibles au verso. Petites marges. Rare. Cette estampe ne semble ni décrite par Boutitie ni par E. Barthel. Nous préférons l’attribuer seulement à l’artiste bien qu’elle soit fort probablement de lui.

Hollstein n°9. Très belle épreuve coupée à la marque du cuivre. Légère trace de pli diagonal en pied à gauche. Ex collection N.D. Goldsmid (Lugt n°1962).

Attributed to Antonius II WIERIX
1555/1559 Anvers – 1604 Anvers
Engraving d’après F. Primaticcio