New Hollstein nr 4 (V/V). Very good impression of the last state, the Gillis Hendrickx’s initials arased. Very slight soft fold and very slight oxidation of the sheet. Edition of beginning of XVIIIth century. Good margins. Watermark : stationer’s initial.

1599 Blackfriars + 1641 Londres

Anthonie WATERLOO
1610 Lille + 1690 Utrecht
Etching and dry point

Hollstein nr 127 (II/II). Very good impression trimmed at the limit of platemark at left, of 2nd state (of 2). Three tiny tears on the left side; two or three small stains; bande de papier sur le bord droit au verso. Watermark : armes d’Amsterdam and contremarque. Plate to a set of six “Mythologic landscapes”. […]

Anthonie WATERLOO
1609 Lille + 1690 Utrecht
Etching

Hollstein nr 3. Good impression on beige laid paper of the only state. Small thin paper area in center and in the left margin; small stains and rests of mounting paper in the angles on the back. Plate to the set of four “Evangelists”.

Antoine COYPEL
1661 Paris + 1722 Paris
Eau-forte originale

Antoine COYPEL
1661 Paris + 1722
Etching

Antoine Louis BARYE
1796 Paris + 1875 Paris
Lithography

Antoine Louis BARYE
1796 Paris + 1875 Paris
Lithography

Antoine MASSON
1636 Couvry + 1700 Paris
Engraving

Antoine PIERRETZ
active about 1660
Etching after Poissant

New Hollstein nr 3 (V/VI). Good impression of 5 state (of 6), les initiales de G. Hendrick effacées. Oxidation of the sheet; slight pli d’impression dans l’angle inférieur droit. Wide margins. Watermark : grapes.

Antonio TEMPESTA
1550 Florence + 1630 Rome
Etching

Armand BERTON
1854 Paris – 1927
Etching

I.F.F. nr 97. Very good impression on simili japan paper, signed. Very slight oxidation and tiny foxings; marginal thin paper areas on the back. Good margins. Dry stamp of “Cercle de la Librairie”.