I.F.F. n°59. Very good impression on laid paper, published in “L’Illustration Nouvelle” in 1877. Some slight traces de plis souples. Wide margins.

André LAMBERT
1884 Stuttgart + 1967
Etching

Andréa ANDREANI
ca 1558 Mantoue + 1629 Mantoue
Chiaroscuro woodcut after A. Luini (?)

De Grazia-Bohlin nr 21 (II/IV). M. Bury “The Print in Italy” nr 50. Very good impression trimmed out the platemark, of 2nd state (of 4), before V. van Aelst’s address. Some creases, especially horizontal down; rests of mounting paper along the left edge.

Anonymous french
Beginning of XIX century
Etching and engraving

Anonymous german, before 1500
End of XVth century
Woodcut

Anonymous, french school
XVIIth century
Etching

Anonymous
middle of XVIIth century
Etching after C. Mellan

Anonymus XVIIth century

Etching

New Hollstein nr 4 (V/V). Very good impression of the last state, the Gillis Hendrickx’s initials arased. Very slight soft fold and very slight oxidation of the sheet. Edition of beginning of XVIIIth century. Good margins. Watermark : stationer’s initial.

1599 Blackfriars + 1641 Londres

Anthonie WATERLOO
1610 Lille + 1690 Utrecht
Etching and dry point

Anthonie WATERLOO
1609 Lille + 1690 Utrecht
Etching

Antoine COYPEL
1661 Paris + 1722 Paris
Eau-forte originale

Antoine COYPEL
1661 Paris + 1722
Etching

Antoine Louis BARYE
1796 Paris + 1875 Paris
Lithography