I.F.F. nr 314 (II/II). Very good impression. Some stains in the sky; rare skinned paper areas; small tear repair in the letter. Thread margins. Plate for the “Collection des Ports de France”.
I.F.F. nr 315 (II/II). Very good impression. Some skillful small repairs in the sky. Rare skinned paper areas in the letter; two or three tiny repairs in the letter and tiny stains. Small margins or thread margins on three edges.
I.F.F. nr 313 (II/II). Very good impression. Tiny thin paper areas on the edges and tiny stains in the sky. Small margin at foot. Watermark : double-headed eagle.
Hollstein nr 1281 (I/II). Good impression trimmed at the platemark, of first state (of two), before the inscription at the top and Galle’s name. Creases and vertical fold open at foot; some stains; point of the lower right angle ripped off; formerly backed; some thin paper areas; rests of mounting paper and of glue on […]
Bartsch nr 25 (U. da Carpi); Bartsch Ill nr 25; cf Takahatake “The chiarosccuro wwodcut in Renaissance Italy” p. 130. Good impression printed in two plates of tons and a plate of trait, of 2nd state (of 2), du tirage d’A. Andreani ca 1608-1609. Vertical median fold; some rare creases; contrecollée.
Hollstein nr 15. Good impression of the only state. Oxidation of the sheet; foxings; four wormhole or by pin; some vertical creases. Small margins. Watermark : stationer’s name and coat of arms (?). Edition probably slightly late. The painting by Rubens (and his workshop) is preserved à l’Académie de View.