Good impression on laid paper in colors of the timpe. Creases and breaks, mostly on the edges; marginal short tear. Small margins.

Very good impression on laid paper in colors of the time. Short tear at foot and at top; some creases. Small margins on two sides. Our impression reprend in the same sens la gravure de Jan van Londerseel after Hendrick Arts (?) exécutée vers 1600.

Very good impression on laid paper in colors of the time. Some creases on the edges; some stains, mostly at right and in the letter. Good margins.

Very good impression on laid paper in colors of the time. Creases, mostly marginal and in the letter; rare stains.

Diana GHISI
1547 Mantoue + 1612
Engraving after G. Romano

André DUNOYER de SEGONZAC
1884 Bourg Saint Antoine + 1974 Paris
Etching

Très belles épreuves sur vélin fort, signées et justifiées. Petites marges.

French school
Ca 1810
Lithography

Très belles épreuves coupées à la marque du cuivre. Ensemble de quinze planches et une autre sans rapport. Contrecollées sur deux feuillets vergés.

Edgar DEGAS
1834 Paris + 1917 Paris
Etching and aquatint

Edme JEAURAT
1699 Paris + 1789 Versailles
Etching and engraving after Pesne

Edmond Charles KAYSER
1882 Paris + 1965 Paris
Etching

Edouard DUFEU
1840 Maucille + 1940 Grasse
Etching

1832 Paris + 1883

Harris nr 33 (VI/VIII); M. Guérin nr 23 (III/III). Very good impression on laid paper, of 6e state (of 8), published in l’album de la “Société des Aquafortistes” in 1864. Some handling creases mostly marginal; some very slight traces of rubbing and slight oxidation on the edges of margins. Wide margins.

Roger-Marx nr 2 (II/II). Good impression on wove paper printed in black and beige, published by “l’Estampe Originale” in 1893. Légères traces de plis souples en pied; slight oxydation and empoussiérage; some slight small foxings claires. Good margins. Dry stamp of “l’Estampe Originale”. Edition of 100 impressions and some épreuves d’essai.