Delteil nr 151; Delteil-Cailac nr. Very good impression on china paper applied on wove paper, of the only state, numbered, titled and signed by Camille Pissarro. Short tear about 8 mm on the edge of china at top; small tear and/or thin paper area in the lower left angle; 2 or 3 tiny small snags […]

Camille PISSARRO

Delteil-Cailac nr 196. Shapiro and Mélot p 23. Good impression printed in brown-red on thin wove paper, of the only state. Diagonal fold brand at top. “Le dessin au vernis sur la plaque de zinc a été fait par Camille Pissarro mais la morsure par son fils Lucien…” Jean Cailac. There would be a posthumous […]

Camille PISSARRO
1830 Saint Thomas + 1903 Paris
Etching and aquatint

Camillo GRAFFICO
ca 1565 Civitale del Friuli + 1615
Engraving

Bartsch ill nr 3 (I/II). Very good impression trimmed at the platemark, of first state (of 2), before Mariette’s address. Some small foxings and very sligt stains. Camillo Procaccini n’exécuta que six eaux-fortes. Les traces de polissage du cuivre demeurent très visibles on our impression.

Carl Wilhelm KOLBE
ca 1760 Berlin + 1835
Etching

Martens nr 170 (II/II). Very good impression on laid paper, of 2nd state (of 2), with the number. Glued by the angles on laid paper; Three small tears coming from a few millimeter in the subject; a few creases mostly visible in rasing light and a few stains. Small margins.

Martens nr 172 (II/ ). Griffith and Carey nr 66. Very good impression on laid paper, of 2nd state (of ), with the number. Strong horizontal médian fold; glued by a few points; stain at upper left; other small defects. Small margins. Plate from the portfolio ” d’estampes of landscapes” of the artist published in […]

Carlo CARLONE
1686 Scaria + 1775
Etching

Carlo LASINIO
1759 Trévise + 1838
Mezzotint

Very good impression on strong laid paper, printed in colors and rehaussée de gouache. Small foxings mostly marginal and on the back; rubbing trace. Good margins. Antonio Balestra (1666+1740), italian painter, also executed également some beautifull etchings. Plate to the set “Rittrati di Pittori…” 1789 and next.

Carlo LASINIO
1759 Trévise + 1838
mezzotint

Very good impression on strong laid paper, printed in colors, with des rehauts de gouache. Small foxings and marginal stains; rubbing trace and a few creases. Good margins. Plate to the set “Rittrati di Pittori…”, 1789 et suivantes.

Carlo LASINIO
1759 Trévise + 1838 Pise
Manière noire d’après Le Guerchin

Charles Albert WALTNER
1846 Paris + 1925 Paris
Etching and dry point after Dagnan-Bouveret