Daniel MEYER
Active in Franfort at beginning of XVIIth century
Etching

Daniel RABEL
ca 1578 Paris + 1637
Eching

Very good impression on laid paper in colors of the time. Small margins.

Good impression on laid paper in colors of the timpe. Creases and breaks, mostly on the edges; marginal short tear. Small margins.

Very good impression on laid paper in colors of the time. Short tear at foot and at top; some creases. Small margins on two sides. Our impression reprend in the same sens la gravure de Jan van Londerseel after Hendrick Arts (?) exécutée vers 1600.

Very good impression on laid paper in colors of the time. Some creases on the edges; some stains, mostly at right and in the letter. Good margins.

Very good impression on laid paper in colors of the time. Creases, mostly marginal and in the letter; rare stains.

Diana GHISI
1547 Mantoue + 1612
Engraving after G. Romano

Hollstein nr 4. Very good impression irregularly trimmed at the platemark, of 2nd state (of 3). Small tear of about 20mm repaired, in the upper left corner, tiny other small defects. Fourth plate in a series of twelve “Horses”. Ex collection Camesina de Pornal (Lugt 429) and A. P. van den Briel (Lugt 407a).

Bartsch Ill nr 153. Good impression trimmed out the borderline. Strong fold at upper left; a break fold vertical at top; creases in the angles and horizontal.

André DUNOYER de SEGONZAC
1884 Bourg Saint Antoine + 1974 Paris
Etching

Très belles épreuves sur vélin fort, signées et justifiées. Petites marges.

French school
Ca 1810
Lithography

Très belles épreuves coupées à la marque du cuivre. Ensemble de quinze planches et une autre sans rapport. Contrecollées sur deux feuillets vergés.

Edgar DEGAS
1834 Paris + 1917 Paris
Etching and aquatint

Tabanelli nr 46 (I/II). Very good impression on laid paper of first state (of 2), before the ombrella, the cushion and the pinting, signed and dedicated “à mon ami Sagot”. Rares handling creases and rests of sticky paper at top on the back. Good margins.