Bartolomeo BISCAINO
1632 Gênes + 1657
Etching

Good impression on laid paper in colors of the time. Some creases and some stains on the back. Small margins.

Good impressions on laid paper in colors of the time. Upper left corner restored; stains and accidents in the letter, creases.

Very good impression on laid paper in colors of the time. Some tiny creases and stains. Margin on three sides.

BASSET editor in Paris
Beginning of XIX century
Etching and dotted

BASSET editor à Paris
Active between circa 1750 to 1785
Etching and engraving

BASSET printer in Paris
Beginning of XIXe century
etching after Courvoisier

15?? Vicence + active in Venice since 1560 to 1580

Beginning of XVIIth century

Oil on coper

Benoît DUBOIS
1619 Dijon + 1680 Dijon
Etching

Bernard BOUTET de MONVEL
1884 Paris + 1947 au large des Açores
Etching and aquatint

Bernard BOUTET de MONVEL
1884 Paris + 1949 au large des Açores
Original etching and aquatint

Recueil composé de six bois; le clown, l’homme orchestre, l’écuyère, la folle, le pirate, le vieil. La planche de titre (jaunie) numbered and signed à la plume by the artist. Impressions on thin japan paper, chacune sous passe-partout de l’époque. Le tout dans une chemise cartonnée avec une vignette collée de l’artiste. Rare foxings à […]

Very good impression on different papers, of 1st, 2nd et 3rd state, signed and annotated. Good margins.

Poncetton n°4. Belle épreuve signée. Dessin signé et titré. Rousseurs marginales prononcées à la gravure; petite déchirure en tête au dessin et empoussiérage. Oeuvre puissante de Bernard Naudin, dans la lignée de Goya. Rare.

Signed at lawer left and titled. Some tears on the edges; laid down on canvas. Nice drawing from the artist’s youth, inspired by Goya.