Artiste | Galerie Seydoux

after Maerten van HEEMSKERK – An angel appears to Saint Philip, 1575

1498 Haemskerk + 1574 Haarlem

Engraving by Philippe Galle

Dimension: 212 mm x 269 mm

after Maerten van HEEMSKERK
1498 Haemskerk + 1574 Haarlem
Engraving by Philippe Galle

200 €

after Mark CATESBY – Oye de Canada, ca 1725

1679 + 1749

Etching by Seligmann

Dimension: 220 mm x 300 mm

after Mark CATESBY
1679 + 1749
Etching by Seligmann

230 €

after Martin de VOS – Women’s pride : strawberries, ca 1590

1532 Anvers + 1607

Engraving

Dimension: 205 mm x 286 mm

Hollstein nr 1281 (I/II). Good impression trimmed at the platemark, of first state (of two), before the inscription at the top and Galle’s name. Creases and vertical fold open at foot; some stains; point of the lower right angle ripped off; formerly backed; some thin paper areas; rests of mounting paper and of glue on […]

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after Niccolo VICENTINO – Josué s’adressant aux israélites, ca 1540-1545

Woodcut in clair-obscur after P. de Caravaggio (?)

Dimension: 149 mm x 391 mm

Bartsch nr 25 (U. da Carpi); Bartsch Ill nr 25; cf Takahatake “The chiarosccuro wwodcut in Renaissance Italy” p. 130. Good impression printed in two plates of tons and a plate of trait, of 2nd state (of 2), du tirage d’A. Andreani ca 1608-1609. Vertical median fold; some rare creases; contrecollée.

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after Philip WOUWERMAN – Setting off for the bird hunt, ca 1786

1619 Haarlem + 1668 Haarlem

Engraving

Dimension: 178 mm x 247 mm

Le Blanc undescribed. Cupper plate engraving after the original painting of Wouwerman by Michel Picquenot (1747 Rouen + after 1808)

350 €

after Pierre Narcisse GUERIN – Louis de Larochejaquelein, 1824

1774 Paris + 1833 Rome

Lithography by Belliard

Dimension: 402 [495] mm x 261 [327] mm

after Pierre Narcisse GUERIN
1774 Paris + 1833 Rome
Lithography by Belliard

280 €

after Pierre Paul RUBENS – Bacchus and Silène ivre, ca 1635-1640

1577 Siegen + 1640 Anvers

Etching and engraving by F. van den Wyngaerde

Dimension: 343 mm x 436 mm

Hollstein nr 15. Good impression of the only state. Oxidation of the sheet; foxings; four wormhole or by pin; some vertical creases. Small margins. Watermark : stationer’s name and coat of arms (?). Edition probably slightly late. The painting by Rubens (and his workshop) is preserved à l’Académie de View.

850 €

after Pierre Paul RUBENS – Portrait of a man in armor

1577 Siegen + 1640 Anvers

Mezzotint after Rubens

Dimension: 152 mm x 125 mm

after Pierre Paul RUBENS
1577 Siegen + 1640 Anvers
Mezzotint after Rubens

500 €

after Simon VOUET – Livre de diverses Grotesques, peintes dans le cabinet et bains de la Reine régente…, 1647

1590 Paris + 1649 Paris

Etching by Michel DORIGNY

Dimension: varied mm x varied mm

Robert-Dumesnil nr 105 to 119. Very good impressions. Complete set of a title, a frontispeice and thirteen plates. A foxing at the limit of the composition in plate 4; few rare small stains and marginal foxings otherwise very good condition. Edition about 1680-1700.

1000 €