Artiste | Galerie Seydoux

after Johannes STRADANUS – The Invention of distillation, ca 1588-91

New Hollstein nr 329 (I/III). Very good impression of first state (of 3), before name of editor change. Oxidation of the sheet; slight vertical creases, notably median and some tiny pinholes. Good margins. Plate to the set of twenty, whose a title, relating “Les nouvelles inventions des temps modernes”, ca 1591. Watermark : crowned double […]

Dimension: 202 mm x 269 mm

1200 €

after Johannes STRADANUS – The Invention of glasses, ca 1588-1591

New Hollstein nr 337 (II/IV). Very good impression of 2nd state (of 4), with Philippe Galle’s address. Rare marginal defects; some tiny pinholes; some creases notably vertical median; a small stain on the litle boy calf. Good margins. Plate to a set of “New inventions of modern times”, 1588-1591. Watermark : dobble C crown.

Dimension: 202 mm x 266 mm

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after Joseph VERNET – L’Entrée du Port de Marseille, 1760

I.F.F. nr 312 (II/II). Good impression. Slight median creases; some small skinned paper areas and small accidents on the edges; small tear in the sky. Watermark : double-headed eagle.

Dimension: 540 mm x 750 mm

850 €

after Joseph VERNET – La Ville et la Rade de Toulon

I.F.F. nr 314 (II/II). Very good impression. Some stains in the sky; rare skinned paper areas; small tear repair in the letter. Thread margins. Plate for the “Collection des Ports de France”.

Dimension: 530 mm x 745 mm

1000 €

after Joseph VERNET – Le Port d’Antibes en Provence, 1762

I.F.F. nr 315 (II/II). Very good impression. Some skillful small repairs in the sky. Rare skinned paper areas in the letter; two or three tiny repairs in the letter and tiny stains. Small margins or thread margins on three edges.

Dimension: 533 mm x 749 mm

850 €

after Joseph VERNET – Le Port vieux de Toulon, 1762

I.F.F. nr 313 (II/II). Very good impression. Tiny thin paper areas on the edges and tiny stains in the sky. Small margin at foot. Watermark : double-headed eagle.

Dimension: 534 mm x 744 mm

1200 €

after Léon COGNIET – Michallon, 1822

after Léon COGNIET
1794 Paris + 1880 Paris
Etching by Joseph Coiny (1795+1829)

Dimension: 170 [295] mm x 137 [203] mm

180 €

after Louis Auguste de SAINSON – Vue prise au port Western, dans la crique des Mangliers, ca 1833

after Louis Auguste de SAINSON
1800 Paris + 1874 Paris
Lithography by van der Burch and Adam

Dimension: 220 [335] mm x 330 [445] mm

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after Maerten van HEEMSKERK – An angel appears to Saint Philip, 1575

after Maerten van HEEMSKERK
1498 Haemskerk + 1574 Haarlem
Engraving by Philippe Galle

Dimension: 212 mm x 269 mm

200 €

after Mark CATESBY – Oye de Canada, ca 1725

after Mark CATESBY
1679 + 1749
Etching by Seligmann

Dimension: 220 mm x 300 mm

230 €

after Niccolo VICENTINO – Josué s’adressant aux israélites, ca 1540-1545

Bartsch nr 25 (U. da Carpi); Bartsch Ill nr 25; cf Takahatake “The chiarosccuro wwodcut in Renaissance Italy” p. 130. Good impression printed in two plates of tons and a plate of trait, of 2nd state (of 2), du tirage d’A. Andreani ca 1608-1609. Vertical median fold; some rare creases; contrecollée.

Dimension: 149 mm x 391 mm

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after Pierre Narcisse GUERIN – Louis de Larochejaquelein, 1824

after Pierre Narcisse GUERIN
1774 Paris + 1833 Rome
Lithography by Belliard

Dimension: 402 [495] mm x 261 [327] mm

280 €