Artiste | Galerie Seydoux

Adrien MANGLARD – Ponte Lamentano fuori di Roma, 1754

1696 Lyon + 1760 Rome

Etching

Dimension: 228 mm x 321 mm

Adrien MANGLARD
1696 Lyon + 1760 Rome
Etching

250 €

after A. E. PETITOT – Vase, ca 1770

1727 Paris + 1801 Parme

Etching by Boucher son

Dimension: 223 mm x 170 mm

after E. A. PETITOT
1727 Paris + 1801 Parme
Etching by Boucher son

120 €

after Antonie van DYCK – Hendrick Liberti, ca 1635

1599 Anvers + 1641 Blackfrield

Engraving by P. de Jode

Dimension: 273 mm x 200 mm

New Hollstein (van Dyck) nr 144. Very good impression. Slight oxidation mostly visible on the back; a few slight creases. Good margins. Edition of beginning XVIIIth century. The original painting by van Dyck was sold at auction in December 2014 for nearly 3 million pounds. Liberti was a chorister and organist at Antwerp Cathedral for […]

200 €

after Antonie van DYCK – Pieter de Jode

1599 Anvers + 1641 Blackfrield

Etching

Dimension: 252 mm x 173 mm

Good impression of the last state. Edition of beginning XVIIIth century. Wide margins. Pieter de Jode called the old (1570 Anvers – 1634 Anvers) was a flemish engraver; he produced a significant number of prints after Italian Renaissance masters.

180 €

after Charles LE BRUN – La famille de Darius aux pieds d’Alexandre, ca 1675

1619 Paris + 1690 Paris

Etching and engraving by Gérard Édelinck

Dimension: 696 mm x 905 mm

L. Marchesano and C. Michel nr 3; Robert-Dumesnil nr 42. Very good impression in two sheet assemblées. Slight foxings, mostly in the lower. Vertical median fold; some tiny épidermures and some marginal short tears. Girard Audran and Gérard Édelinck traduisirent, between 1672 and 1678, les grandes toiles peintes par Charles Le Brun illustrant les Batailles […]

3000 €

after Claude Nicolas LEDOUX – Vue perspective de l’église de Chaux

1736 Dormans + 1806 Paris

Etching by Varin

Dimension: 204 mm x 318 mm

Good impressions. Some creases; a sligt diagonal break at left. Small margins.

200 €

after David TENIERS – (A hermit in a mountainous landscape)

1610 Anvers + 1690 Bruxelles

Etching

Dimension: 323 mm x 238 mm

after David TENIERS
1610 Anvers + 1690 Bruxelles
Etching

230 €

after Ferdinand ROYBET – Conversation galante avec Juana Romani, ca 1900

1840 Uzès + 1920 Paris

Etching

Dimension: 650 [700] mm x 505 [555] mm

after Ferdinand ROYBET
1840 Uzès + 1920 Paris
Etching

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after Hans VREDEMAN de VRIES – Palace with an open hall and fluted columns, 1562

1527 Leeuwarden + 1607 Anvers

Etching by J. and L. v. Doetecum

Dimension: 153 mm x 210 mm

after Hans VREDEMAN de VRIES
1527 Leeuwarden + 1607 Anvers
Etching by J. and L. v. Doetecum

200 €

after Hendrick GOLTZIUS – Mercury putting Argus to sleep – Mercury killing Argus

1558 Mülhbrecht + 1617 Haarlem

Engraving by Goltzius's studio

Dimension: ca 174 mm x ca 255 mm

New Hollstein (after Goltzius) nr 548 (II/II) and 550 (II/II). Very good impressions of 2nd state (of 2), with the engraved numbers. Some creases, mostly in the corners. Thread margins. Plate to the set of “Ovid’s Metamorphoses”, 1589, including 20 subjects.

450 €

after Henri Théodore FANTIN-LATOUR – Portrait de M. et Mme. Edwin Edwards, 1875

1836 Grenoble + 1904 Buré

Etching and dry point

Dimension: 218 (435) mm x 157 (294) mm

Sanchez-Seydoux 1875-28. Very good impression on laid apaer published in “L’Art en 1875”. Wide margins.

100 €

after Hieronymus Bosch and his followers – Triptych with the end of time, Paradise and Hell, ca 1560

ca 1450 Bois le Duc + 1516 Bois le Duc

Engraving

Dimension: 315 mm x 482 mm

Hollstein nr 7; P. Lafond nr 7 (after Bosch); Exhib. Fondation Custodia, Hieronymus Cock : The Renaissance in Print nr 62 (attributed to C. Cort). Good impression trimmed out the engraved frame, the letter cropped, of first state (of 2), with Cock’s address. Many small thin paper areas and small tears restored; vertical tear restored […]

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