Van den Noort nr 121 (I/II). Very good impression on strong wove paper, of 1st state (of 2), before Delâtre’s address. Good margins. Rare. An impression encountered by Van den Noort of 1st state is annotated “tiré à 8 épr.”
Robert-Dumesnil nr 105 to 119. Very good impressions. Complete set of a title, a frontispeice and thirteen plates. A foxing at the limit of the composition in plate 4; few rare small stains and marginal foxings otherwise very good condition. Edition about 1680-1700.
Delteil nr 3 (III/III). Thorn nr . Very good impression on japan paper of the last state. Wide margins. This plate is inspired by the bronze sculpture created by the artist in 1883, depicting his wife.
Sanchez-Seydoux nr 116 (II/III). Very good impression on old laid paper, of 2nd state (of 3), before the letter from the Delâtre printing house, signed and titled by the artist’s mother. Good margins. Dry stamp of the editor Sagot (Lugt 2254).
Schneiderman nr 26 (VIII/X). Superb impression on china paper applied on wove paper, of 8th state (of 10) published by “L’Artiste” in 1852. Small marginale stain; slightly dusty on the margins. Good margins. Our impression, although relatively common because published in the magazinr “L’Artiste”, release a magnificent light, especially due to beige china paper.
Hollstein nr 4. Very good impression irregularly trimmed at the platemark, of 2nd state (of 3). Small tear of about 20mm repaired, in the upper left corner, tiny other small defects. Fourth plate in a series of twelve “Horses”. Ex collection Camesina de Pornal (Lugt 429) and A. P. van den Briel (Lugt 407a).
Very good impression on old laid paper, signed with other inscriptions at foot by another hand. A few handling creases and dusty (?) on the back. Small margins. Prince Karageorgevich (1862–1908) belonged to a Serbian dynasty. His family lost the Serbian throne in 1858 and sought refuge in France. There, Bojidar pursued a variety of […]
I.F.F. nr 377 (VIII/VIII). Very good impression on laid paper, of the last state, published in “L’Art” during 1878. Rests of mounting paper at top on the back and slight oxidation. The artist’s sister, Marie Bracquemond, draw a portrait of her half-sister.
Very good impression on wove paper. A few creases in the good margins; some small marginal stains. Rare. This subject was then reproduced for publication in “L’Estampe Moderne” during 1898.
New Hollstein nr 2. Good impression trimmed of 1 to 2mm in the platemarke, of the only state. Small skinned paper on Eve’s knee; tiny tear restored at the top of the trunk; a few liny thin paper areas or tiny defects on the edges. Second plate to a set of six relating the “The […]