Adolfo de CAROLIS
1874 Montefiore + 1928 Rome
Woodcut

Robert Dumesnil nr 44 (III/III). Good impression of the last state, with the last works. The tablet at foot slightly trimmed of 8mm. Small margins on three sides. Slight creases in the corners; two pinhole. Edition probably of XIXth century.

Bartsch nr 25 (U. da Carpi); Bartsch Ill nr 25; cf Takahatake “The chiarosccuro wwodcut in Renaissance Italy” p. 130. Good impression printed in two plates of tons and a plate of trait, of 2nd state (of 2), du tirage d’A. Andreani ca 1608-1609. Vertical median fold; some rare creases; contrecollée.

Agostino CARRACCI
1557 Bologne + 1602 Parme
Engraving after Le Tintoret

Agostino CARRACCI
1557 Bologne + 1602 Parme
Engraving after The Tintoret

1557 Bologna + 1602 Rome

Agostino CARRACCI
1557 Bologne + 1602 Parme
Engraving after Le Tintoret

De Grazia Bohlin nr 207 (II/II). Good impression of 2nd state (of 2), the date changed. Upper left corner turn off; some small creases. Thread margins on three sides; small margin at foot. Watermark : anchor (?) encircled and topped with a star. Plate forming frontispiece of “Opera omnia” by Aldrovandi in 1606.

Bartsch Ill. nr 30 (172). Good impression trimmed on or out the borderline, printed by two plates, one in light green, the other in black. Folds and creases mostly visible in raking light, some inherent at the edition; held by the left edge on a sheet of framing.

Antonio TEMPESTA
1550 Florence + 1630 Rome
Etching

Bartsch Ill. 1098 (165). Good impression trimmed in the platemark, with engraved number. Glued by the upper edge. Plate to the set of “Various animal hunst and battle scenes”, 1602

Bartolomeo BISCAINO
1632 Gênes + 1657
Etching

15?? Vicence + active in Venice since 1560 to 1580

Camillo GRAFFICO
ca 1565 Civitale del Friuli + 1615
Engraving

Bartsch ill nr 3 (I/II). Very good impression trimmed at the platemark, of first state (of 2), before Mariette’s address. Some small foxings and very sligt stains. Camillo Procaccini n’exécuta que six eaux-fortes. Les traces de polissage du cuivre demeurent très visibles on our impression.

Carlo CARLONE
1686 Scaria + 1775
Etching