Carlo LASINIO
1759 Trévise + 1838
Mezzotint

Very good impression on strong laid paper, printed in colors and rehaussée de gouache. Small foxings mostly marginal and on the back; rubbing trace. Good margins. Antonio Balestra (1666+1740), italian painter, also executed également some beautifull etchings. Plate to the set “Rittrati di Pittori…” 1789 and next.

Carlo LASINIO
1759 Trévise + 1838
mezzotint

Very good impression on strong laid paper, printed in colors, with des rehauts de gouache. Small foxings and marginal stains; rubbing trace and a few creases. Good margins. Plate to the set “Rittrati di Pittori…”, 1789 et suivantes.

Carlo LASINIO
1759 Trévise + 1838 Pise
Manière noire d’après Le Guerchin

Claudio DUCHETTI editor
Active in Venice and in Rome à partir from 1565 + 1585
Engraving

Très belles épreuves coupées à la marque du cuivre. Ensemble de quinze planches et une autre sans rapport. Contrecollées sur deux feuillets vergés.

Ercole BAZZICALUVE
ca 1600 Pise + active in Florence on 1638
Etching

Ercole BAZZICALUVE
ca 1600 Pise + active at Florence in 1638
Etching

cf Bartsch XIV-242. Very good impression trimmed in the platemark, before the letter. A few short tears; long diagonal break at left; creases and other small defects. Our engraving copy in the same direction that of Marco Dente, but without the letter nor certain minors works.

follower of Pietro FACCINI
ca 1562 Bologne + 1602 Bologne
Red chalk

Le Blanc nr 1. Very good impression on strong laid paper. Two small tears reinforced in the letter and one at top, outside the engraved part; some other small defects mostly marginal. Small margins on three sides.

Giorgio GHISI
1520 Mantoue + 1582
Engraving after Michel Ange

Lewis and Lewis nr 5 (IX/X). Good impression du 8 or 9e state (of 10), with G. J. de Rossi’s address. Breaks and folds, mostly marginal and on the edges; vertical median crease; two or three tiny tears renforcées au centre. Good margins. Edition end 17e or beginning 18e century. Watermark : lily flower in […]

Giovanni Battista MERCATI
ca 1600 Borgo S. Sepulcro + après 1637
Etching

Wilton-Ely n°49. Very good impression on laid paper. Good margins. Planche des différents travaux d’architecture, perspectives, grotesques and antiquités. Watermark : fleur de lys encerclée.