Bartsch nr 25 (U. da Carpi); Bartsch Ill nr 25; cf Takahatake “The chiarosccuro wwodcut in Renaissance Italy” p. 130. Good impression printed in two plates of tons and a plate of trait, of 2nd state (of 2), du tirage d’A. Andreani ca 1608-1609. Vertical median fold; some rare creases; contrecollée.

Agostino CARRACCI
1557 Bologne + 1602 Parme
Engraving after Le Tintoret

Agostino CARRACCI
1557 Bologne + 1602 Parme
Engraving after The Tintoret

1557 Bologna + 1602 Rome

Agostino CARRACCI
1557 Bologne + 1602 Parme
Engraving after Le Tintoret

De Grazia-Bohlin nr 21 (II/IV). M. Bury “The Print in Italy” nr 50. Very good impression trimmed out the platemark, of 2nd state (of 4), before V. van Aelst’s address. Some creases, especially horizontal down; rests of mounting paper along the left edge.

Bartolomeo BISCAINO
1632 Gênes + 1657
Etching

15?? Vicence + active in Venice since 1560 to 1580

Camillo GRAFFICO
ca 1565 Cividale del Friuli + 1615
Engraving

Camillo GRAFFICO
ca 1565 Civitale del Friuli + 1615
Engraving

Bartsch ill nr 3 (I/II). Very good impression trimmed at the platemark, of first state (of 2), before Mariette’s address. Some small foxings and very sligt stains. Camillo Procaccini n’exécuta que six eaux-fortes. Les traces de polissage du cuivre demeurent très visibles on our impression.

Carlo CARLONE
1686 Scaria + 1775
Etching

Carlo LASINIO
1759 Trévise + 1838
Mezzotint

Carlo LASINIO
1759 Trévise + 1838
mezzotint

Carlo LASINIO
1759 Trévise + 1838 Pise
Manière noire d’après Le Guerchin

Diana GHISI
1547 Mantoue + 1612
Engraving after G. Romano