Charles MAURIN
1856 Le Puy + 1914 Grasse
Eau-forte originale et aquatinte

Charles Melchior DESCOURTIS
1753 Paris + 1820 Paris
Tool engraving after Wolff

Schneidermann nr 63 (II/II). Good impression on china paper applied on wove paper, of 2d state (of 2), dedicated and signed by pencil by the model. Strong oxidation of the sheet; the china paper comes off slightly in places. Good margins. The first state, before the signature and the date, is know from only one […]

Charles MERYON
1821 Paris + 1868 Saint Maurice
Etching and dry point

Delteil nr 48; Schneidermann nr 51 (IV/IV). Good impression trimmed at the borderline, the artist’s name and the l’imprimeur rognés at foot, of the last state. Vertical median fold; very small thin paper area at right and tiny other defects. (264 x 431 instead of 271 x 436)

Charles MÉRYON
1821 Paris + 1868
Etching and engraving

Charles MERYON
1821 Paris + 1868 Saint Maurice
Etching

Le Blanc nr 18. Very good impression trimmed at the platemark or slightly into, of the only state. Laid down on old laid pape; a pinpoint on the right edge and very tiny defects.

Charles-François DAUBIGNY
1817 Paris + 1878 Paris
Etching

Chez ESNAUTS marchand d’estampes

Etching and engraving

Chez Garnier-Allabre à Chartres éditeur
1782 Versailles + 1834 Chartres
Woodcut

Good impression on laid paper in colors of the time. Small stain (?) in the middle towards the rights and probable trace of passe-partout at the window of the mounting. Small margins. Framed : not examined outside the frame.

Christophe GUÉRIN
1758 Strasbourg + 1831 Strasbourg
Etching

Mannocci nr 6 (IVB/VII). Very good impression of 4th state B (of 7), with the three small grooves in the sky. Two or three tiny hole à l’extrémité du bord gauche and some very sligt creases. Watermark : paschal lamb in a circle (L.M. n°19).

L. Mannocci nr 20 (III/IV). Good impression trimmed at the platemark of 3e state (of 4), the plate used as usual, but before the last works. Two diagonal creases at right, mostly visible on the back; amincissures à la pointe des angles gauches and some rare other small defects. Probably italian edition, end of XVIIe […]

Claude GELLÉE said Le Lorrain
1600 Chamagne + 1682
Etching