Thick ivory celluloid, circular in shape. Rare

Cf I.F.F. nr 4 (?). Very good impressions on strong wove vélin paper. Fractured lower footprint.

Très belle épreuve sur vergé annotée en pied “première planche de Brouet”. Quelques légères rousseurs visibles au verso. Petites marges. Rare. Cette estampe ne semble ni décrite par Boutitie ni par E. Barthel. Nous préférons l’attribuer seulement à l’artiste bien qu’elle soit fort probablement de lui.

Attribué à Gabriel PERELLE
1604 Vernon + 1677 Paris
Etching

I.F.F. undescribed (?). Very good impression printed in colors. Creases; rests of mounting paper on the back; tiny small marginal defects. Very rare. We can bring near our print of that of a “Sleeper”, (cf I.F.F. nr 26-Doucet) of similar subject and dimensions.

attributed to Jean HOUEL
1735 Rouen + 1813 Paris
Etching

attributed to Jean PILLEMENT
1728 Lyon + 1808 Lyon
Etching

AUBERT publisher in Paris
Beginning of XIXth century
Lithography

Auguste CLESINGER
1814 Besançon + 1883 Paris
Etching

Auguste LEPERE
1849 Paris + 1918 Domme
Etching

Auguste LEPERE
1849 Paris + 1918 Domme
Woodcut

Auguste LEPERE
1849 Paris + 1918 Domme
Woodcut

Auguste Louis LEPERE
1849 Paris + 1918 Domme
Woodcut

Lotz-Brissonneau nr 38 (II/II). Very good impression on japan paper of 2nd state (of 2), the platemark reduced, signed and annotated “Tirage 8 ép” and below “n°7”. Slight crease at right top. Good margins. The edition of the first state was only 5 impressions and this of second state of 30 (or 8 same noted […]

Delteil nr 3 (III/III). Thorn nr . Very good impression on japan paper of the last state. Wide margins. This plate is inspired by the bronze sculpture created by the artist in 1883, depicting his wife.

I.F.F. nr 2 (Unknow in full length). Good impression on wove paper of the only state. Laminated on cardboard; two tears at foot with small lacks associate. Good margins. Rare.