Collection of engraved portraits, titled “Le Cours des Écclésiastiques”. Very high volume formed in the middle of the XVIIth century compresing about 331 glued portraits, mostly of religious persons, french and flemish, of the XVIth and XVIIth centuries. In folio, in brownish calf binding of the time (ca 1660). Some defects to the binding. We […]

Constant BOURGEOIS
1767 Guiscard + 1841
Lithography

I.F.F. nr 1-4. Good impression on wove paper. Some foxings; vertical median strong crease. Small margins. Plate for the set “Vues et fabriques d’Italie”, 1803-1805.

Belle épreuve sur vergé en coloris d’époque. Déchirure verticale en-tête d’environ 80 mm; quelques petits trous; plis, traces de plis et taches. Rare. Nous n’avons pas retrouvé mention de cet éditeur et de cette gravure.

Daniel RABEL
ca 1578 Paris + 1637
Eching

Very good impression on laid paper in colors of the time. Small margins.

Good impression on laid paper in colors of the timpe. Creases and breaks, mostly on the edges; marginal short tear. Small margins.

Very good impression on laid paper in colors of the time. Short tear at foot and at top; some creases. Small margins on two sides. Our impression reprend in the same sens la gravure de Jan van Londerseel after Hendrick Arts (?) exécutée vers 1600.

Very good impression on laid paper in colors of the time. Some creases on the edges; some stains, mostly at right and in the letter. Good margins.

Very good impression on laid paper in colors of the time. Creases, mostly marginal and in the letter; rare stains.

Bartsch Ill nr 153. Good impression trimmed out the borderline. Strong fold at upper left; a break fold vertical at top; creases in the angles and horizontal.

André DUNOYER de SEGONZAC
1884 Bourg Saint Antoine + 1974 Paris
Etching

French school
Ca 1810
Lithography

Edgar DEGAS
1834 Paris + 1917 Paris
Etching and aquatint

Tabanelli nr 46 (I/II). Very good impression on laid paper of first state (of 2), before the ombrella, the cushion and the pinting, signed and dedicated “à mon ami Sagot”. Rares handling creases and rests of sticky paper at top on the back. Good margins.

Edme JEAURAT
1699 Paris + 1789 Versailles
Etching and engraving after Pesne