Riviere undescribed. Good impression of essay on laid paper, dated. Creases at foot.

Rivière undescribed. Very good impression on laid paper, dated, numbered (?) and signed. Small margins.

Rivière undescribed ? Very good impression on china paper applied, titled, signed and dated, with a dedicacion at foot. Slight oxidation of the sheet. Good margins.

Pierre de BELAY
1890 Quimper + 1947 Ostende
Etching and aquatint

Pierre Eugène VIBERT
1875 Carrouge + 1937 Genève
Woodcut

Pierre Louis MOREAU
1876 Paris + 1959 Paris
Dry point

Pierre Louis MOREAU
1876 Paris + 1960
Drypoint

Belle épreuve sur vergé, justifiée et signée au crayon bleu. Manques marginaux; quelques légères traces de plis. Petites marges.

Very good impression on laid paper, printed in colors at the location, published in “L’Art Décoratif” during 1905. Slight oxidation of the sheet and short marginal tear.

Raoul du GARDIER
1871 Wiesbaden + 1952 Pornic
Etching and aquatint

Belle épreuve sur vergé imprimée en brun et rouge, justifiée et signée. Trace de passe-partout à l’ouverture d’un ancien montage; légère trace de pli vertical et petite cassure. Tirage à 25 épreuves. Belles marges.

Very good impression on laid paper, numbered and signed. Some slight creases. Small margins. Edition of 50 impressions.

René Georges HERMANN-PAUL
1864 Paris + 1940 Les Saintes Maries de la Mer
Woodcut

Very good impression on wove paper printed in colors, annotated “Épreuve d’état tirée par l’artiste” and signed. Editor C. Hessèle’s stamp (Lugt nr ).

Impression on strong wove paper, signed. Some small tears in the wide margins and uniform oxidation. Publisher’s stamp Hessèle (Lugt n°554).

Robert BONFILS
1886 Paris + 1971 Paris
Woodcut