Camille PISSARRO
1830 Saint Thomas + 1903 Paris
Etching and aquatint

Carl Wilhelm KOLBE
ca 1760 Berlin + 1835
Etching

Charles Albert WALTNER
1846 Paris + 1925 Paris
Etching and dry point after Dagnan-Bouveret

Charles BAUGNIET
1814 Bruxelles + 1886 Sèvres
Lithography

Charles COLEMAN
ca 1807 Pontefract (GB) + 1874 Rome
Etching

Charles COLEMAN
ca 1807 Pon Te Fract + 1874 Rome
Etching

Charles COTTET
1863 Le Puy + 1925
Lithographie originale

Morane nr 4. Very good impression on flier china paper, printed in colors, signed and numbered. Small foxings mostly visible on the back and in margins; short marginal tear and some creases. Wide margins. Edition of 100 impression for the “Galerie d’estampes originales” of A. Vollard.

I.F.F. nr 7-1. Very good impression on laid paper printed in colors, numbered and signed. Marginal tear skillfully restored at foot; marginal traces of adhesive and slight crease visible in raking light. Edition of 50 impressions. Good margins.

Charles MAURIN

Charles MAURIN
1856 Le Puy + 1914 Grasse
Eau-forte originale et aquatinte

Schneidermann nr 63 (II/II). Good impression on china paper applied on wove paper, of 2d state (of 2), dedicated and signed by pencil by the model. Strong oxidation of the sheet; the china paper comes off slightly in places. Good margins. The first state, before the signature and the date, is know from only one […]

Charles MERYON
1821 Paris + 1868 Saint Maurice
Etching and dry point

Delteil nr 48; Schneidermann nr 51 (IV/IV). Good impression trimmed at the borderline, the artist’s name and the l’imprimeur rognés at foot, of the last state. Vertical median fold; very small thin paper area at right and tiny other defects. (264 x 431 instead of 271 x 436)

Charles MÉRYON
1821 Paris + 1868
Etching and engraving

Charles MERYON
1821 Paris + 1868 Saint Maurice
Etching