Très belle épreuve sur vergé annotée en pied “première planche de Brouet”. Quelques légères rousseurs visibles au verso. Petites marges. Rare. Cette estampe ne semble ni décrite par Boutitie ni par E. Barthel. Nous préférons l’attribuer seulement à l’artiste bien qu’elle soit fort probablement de lui.

AUBERT publisher in Paris
Beginning of XIXth century
Lithography

Auguste CLESINGER
1814 Besançon + 1883 Paris
Etching

Auguste LEPERE
1849 Paris + 1918 Domme
Etching

Lotz-Brissonneau nr 38 (II/II). Very good impression on japan paper of 2nd state (of 2), the platemark reduced, signed and annotated “Tirage 8 ép” and below “n°7”. Slight crease at right top. Good margins. The edition of the first state was only 5 impressions and this of second state of 30 (or 8 same noted […]

I.F.F. nr 2 (Unknow in full length). Good impression on wove paper of the only state. Laminated on cardboard; two tears at foot with small lacks associate. Good margins. Rare.

Very good impression on thin wove paper, signed ?. A slight crease; some small stains and fixed by some points of glue on strong laid paper. Small margins.

Balthazar Jean BARON
1788 Lyon + 1869 Lyon

Bartolome MAURA y Montaner
1844 Palma de M. + 1926 Madrid
Etching after Goya

Very good impression on laid paper in colors of the time. Some tiny creases and stains. Margin on three sides.

BASSET editor in Paris
Beginning of XIX century
Etching and dotted

BASSET printer in Paris
Beginning of XIXe century
etching after Courvoisier

Berhard PANKOK
1872 Germany + 1943 Baierbrunn
Mezzotint

Delteil nr 151; Delteil-Cailac nr. Very good impression on china paper applied on wove paper, of the only state, numbered, titled and signed by Camille Pissarro. Short tear about 8 mm on the edge of china at top; small tear and/or thin paper area in the lower left angle; 2 or 3 tiny small snags […]

Camille PISSARRO

Delteil-Cailac nr 196. Shapiro and Mélot p 23. Good impression printed in brown-red on thin wove paper, of the only state. Diagonal fold brand at top. “Le dessin au vernis sur la plaque de zinc a été fait par Camille Pissarro mais la morsure par son fils Lucien…” Jean Cailac. There would be a posthumous […]