Alphonse LEGROS
1837 Dijon + 1911 Walford
Dry point and etching

Alphonse LEGROS
1837 Dijon + 1911 Walford
Eau-forte originale et pointe sèche

Alphonse LEGROS
1837 Dijon + 1911 Watford
Original drypoint

Alphonse LEGROS
1837 Dijon + 1911 Watford
Dry point

I.F.F. n°59. Very good impression on laid paper, published in “L’Illustration Nouvelle” in 1877. Some slight soft creases. Wide margins.

Anonymous french
Beginning of XIX century
Etching and engraving

Antoine Louis BARYE
1796 Paris + 1875 Paris
Lithography

Armand GUILLAUMIN
1841 Paris + 1927 Grignon
Autographie originale

Armand GUILLAUMIN
1841 Paris + 1927 Orly
Lithography

Armand QUEYROY
1830 Vendôme + 1893 Moulins
Etching

Très belle épreuve sur vergé annotée en pied “première planche de Brouet”. Quelques légères rousseurs visibles au verso. Petites marges. Rare. Cette estampe ne semble ni décrite par Boutitie ni par E. Barthel. Nous préférons l’attribuer seulement à l’artiste bien qu’elle soit fort probablement de lui.

AUBERT publisher in Paris
Beginning of XIXth century
Lithography

Auguste CLESINGER
1814 Besançon + 1883 Paris
Etching

Auguste LEPERE
1849 Paris + 1918 Domme
Etching

Lotz-Brissonneau nr 38 (II/II). Very good impression on japan paper of 2nd state (of 2), the platemark reduced, signed and annotated “Tirage 8 ép” and below “n°7”. Slight crease at right top. Good margins. The edition of the first state was only 5 impressions and this of second state of 30 (or 8 same noted […]

I.F.F. nr 2 (Unknow in full length). Good impression on wove paper of the only state. Laminated on cardboard; two tears at foot with small lacks associate. Good margins. Rare.