Bartsch Ill. nr 30 (172). Good impression trimmed on or out the borderline, printed by two plates, one in light green, the other in black. Folds and creases mostly visible in raking light, some inherent at the edition; held by the left edge on a sheet of framing.

Très belle épreuve rehaussée à l’aquarelle à l’époque. Infimes taches et traces de plis. Bonnes marges. Planche pour le “Recueil de la Collection des Prix que la ci-devant Académie d’Architecture proposait et couronnait tous les ans”, 1787-1796 (?)

I.F.F. undescribed (?). Very good impression printed in colors. Creases; rests of mounting paper on the back; tiny small marginal defects. Very rare. We can bring near our print of that of a “Sleeper”, (cf I.F.F. nr 26-Doucet) of similar subject and dimensions.

attributed to Jean HOUEL
1735 Rouen + 1813 Paris
Etching

attributed to Jean PILLEMENT
1728 Lyon + 1808 Lyon
Etching

Augustin de SAINT AUBIN
1736 Paris + 1807 Paris
Etching and engraving

Very good impression on laid paper in colors of the time. Slight creases.

Good impression on laid paper in colors of the time. Some creases and some stains on the back. Small margins.

Good impressions on laid paper in colors of the time. Upper left corner restored; stains and accidents in the letter, creases.

Very good impression on laid paper in colors of the time. A few tiny creases and stains. Good margins. This is the Treaty of Paris wich ended the seven’s years war.

BASSET editor à Paris
Active between circa 1750 to 1785
Etching and engraving

C. L. JUBIER
1737 + ?
Tool engraving printed in colors

Carlo CARLONE
1686 Scaria + 1775
Etching

Carlo LASINIO
1759 Trévise + 1838
Mezzotint

Very good impression on strong laid paper, printed in colors and rehaussée de gouache. Small foxings mostly marginal and on the back; rubbing trace. Good margins. Antonio Balestra (1666+1740), italian painter, also executed également some beautifull etchings. Plate to the set “Rittrati di Pittori…” 1789 and next.

Carlo LASINIO
1759 Trévise + 1838
mezzotint