Adrien MANGLARD
1696 Lyon + 1760 Rome
Etching

after E. A. PETITOT
1727 Paris + 1801 Parme
Etching by Boucher son

Good impressions. Some creases; a sligt diagonal break at left. Small margins.

1684 Valenciennes + 1721 Nogent

after Jean Baptiste HUET
1745 Paris + 1811 Paris
Engraving in chalk manner

after Jean PILLEMENT
1728 Lyon + 1808 Lyon
Chalk manner by Louis Dagoty

After Jean-Baptiste HUET
1736 Paris + 1793 Paris
Crayon manner engraving

I.F.F. nr 312 (II/II). Good impression. Slight median creases; some small skinned paper areas and small accidents on the edges; small tear in the sky. Watermark : double-headed eagle.

I.F.F. nr 314 (II/II). Very good impression. Some stains in the sky; rare skinned paper areas; small tear repair in the letter. Thread margins. Plate for the “Collection des Ports de France”.

I.F.F. nr 315 (II/II). Very good impression. Some skillful small repairs in the sky. Rare skinned paper areas in the letter; two or three tiny repairs in the letter and tiny stains. Small margins or thread margins on three edges.

I.F.F. nr 313 (II/II). Very good impression. Tiny thin paper areas on the edges and tiny stains in the sky. Small margin at foot. Watermark : double-headed eagle.

after Mark CATESBY
1679 + 1749
Etching by Seligmann

Très belle épreuve rehaussée à l’aquarelle à l’époque. Infimes taches et traces de plis. Bonnes marges. Planche pour le “Recueil de la Collection des Prix que la ci-devant Académie d’Architecture proposait et couronnait tous les ans”, 1787-1796 (?)

attributed to Jean HOUEL
1735 Rouen + 1813 Paris
Etching

attributed to Jean PILLEMENT
1728 Lyon + 1808 Lyon
Etching

Augustin de SAINT AUBIN
1736 Paris + 1807 Paris
Etching and engraving