Robert-Dumesnil nr 469 5II/II). Very good impression of 2nd state (of 2), with the number. Slight oxidation of the sheet and some very slight foxings visible mostly on the back. Thread margins. Plate to a set of twelve forming the second “Partie de Poissons d’Eau douce”. Ex collection Defer-Dumesnil (Lugt nr 739).

Allaert van EVERDINGEN
1621 Alkmaar + 1675 Amsterdam
Etching

Hollstein nr 102 (V/V). Very good impression of the last state, withe the last works. Some small amincissures on the edges, one slightly tear at upper left; tiny marginal tear; some rare small stains and slight marginal oxidation. Watermark : paper maker’s name. Ex collection R.P. Goldschmidt (Lugt 292) and B. Keller (Lugt 384). D’un […]

Anonymous, french school
XVIIth century
Etching

Anonymous
middle of XVIIth century
Etching after C. Mellan

Anonymus XVIIth century

Etching

New Hollstein nr 4 (V/V). Very good impression of the last state, the Gillis Hendrickx’s initials arased. Very slight soft fold and very slight oxidation of the sheet. Edition of beginning of XVIIIth century. Good margins. Watermark : stationer’s initial.

New Hollstein n°6 (V/V). Très belle épreuve de l’état définitif, les initiales de l’éditeur Hendrickx effacées. Tirage du début du XVIIIe siècle. Belles marges. Filigrane : lettres CVA.

1599 Blackfriars + 1641 Londres

Anthonie WATERLOO
1609 Lille + 1690 Utrecht
Etching

Antoine COYPEL
1661 Paris + 1722 Paris
Eau-forte originale

Antoine MASSON
1636 Couvry + 1700 Paris
Engraving

Antoine PIERRETZ
active about 1660
Etching after Poissant

assigned to Jonas UMBACH
ca 1624 Augsbourg + 1693 Augsbourg
Etching

Hollstein n°9. Très belle épreuve coupée à la marque du cuivre. Légère trace de pli diagonal en pied à gauche. Ex collection N.D. Goldsmid (Lugt n°1962).

Attribué à Gabriel PERELLE
1604 Vernon + 1677 Paris
Etching