Hollstein nr 15. Good impression of the only state. Oxidation of the sheet; foxings; four wormhole or by pin; some vertical creases. Small margins. Watermark : stationer’s name and coat of arms (?). Edition probably slightly late. The painting by Rubens (and his workshop) is preserved à l’Académie de View.
Robert-Dumesnil nr 440 (II/III). Very good impression of 2nd state (of 3), with the number. Slight vertical crease at left; some slight foxings. Good margins. Second plate to a set of twelve illustrating the “Troisième partie des Poissons de Mer”. Watermark : coat of arms.
Robert-Dumesnil nr 469 5II/II). Very good impression of 2nd state (of 2), with the number. Slight oxidation of the sheet and some very slight foxings visible mostly on the back. Thread margins. Plate to a set of twelve forming the second “Partie de Poissons d’Eau douce”. Ex collection Defer-Dumesnil (Lugt nr 739).
Hollstein nr 27 (III/III). Good impression of the last state with the last works. Title inscription on the back; some soft small creases; small thin paper area on two angles and small ink stain (?) on the left edge. Watermark : fragment of the Amsterdam coat of arms.
Hollstein nr 102 (V/V). Very good impression of the last state, withe the last works. Some small amincissures on the edges, one slightly tear at upper left; tiny marginal tear; some rare small stains and slight marginal oxidation. Watermark : paper maker’s name. Ex collection R.P. Goldschmidt (Lugt 292) and B. Keller (Lugt 384). D’un […]
New Hollstein nr 4 (V/V). Very good impression of the last state, the Gillis Hendrickx’s initials arased. Very slight soft fold and very slight oxidation of the sheet. Edition of beginning of XVIIIth century. Good margins. Watermark : stationer’s initial.
Hollstein nr 127 (II/II). Very good impression trimmed at the limit of platemark at left, of 2nd state (of 2). Three tiny tears on the left side; two or three small stains; bande de papier sur le bord droit au verso. Watermark : armes d’Amsterdam and contremarque. Plate to a set of six “Mythologic landscapes”. […]