Adriaen Van OSTADE
1610 Haarlem – 1685 Haarlem
Etching

New Hollstein nr 32 (V/V). Very good impression trimmed at the platemark, of the definitive state, with the last small retouches. Some very légères creases and some very slight stains visible on the back. Edition of XVIIIth century.

New Hollstein (van Dyck) nr 144. Very good impression. Slight oxidation mostly visible on the back; a few slight creases. Good margins. Edition of beginning XVIIIth century. The original painting by van Dyck was sold at auction in December 2014 for nearly 3 million pounds. Liberti was a chorister and organist at Antwerp Cathedral for […]

Good impression of the last state. Edition of beginning XVIIIth century. Wide margins. Pieter de Jode called the old (1570 Anvers – 1634 Anvers) was a flemish engraver; he produced a significant number of prints after Italian Renaissance masters.

L. Marchesano and C. Michel nr 3; Robert-Dumesnil nr 42. Very good impression in two sheet assemblées. Slight foxings, mostly in the lower. Vertical median fold; some tiny épidermures and some marginal short tears. Girard Audran and Gérard Édelinck traduisirent, between 1672 and 1678, les grandes toiles peintes par Charles Le Brun illustrant les Batailles […]

after David TENIERS
1610 Anvers + 1690 Bruxelles
Etching

Le Blanc undescribed. Cupper plate engraving after the original painting of Wouwerman by Michel Picquenot (1747 Rouen + after 1808)

Hollstein nr 15. Good impression of the only state. Oxidation of the sheet; foxings; four wormhole or by pin; some vertical creases. Small margins. Watermark : stationer’s name and coat of arms (?). Edition probably slightly late. The painting by Rubens (and his workshop) is preserved à l’Académie de View.

after Pierre Paul RUBENS
1577 Siegen + 1640 Anvers
Mezzotint after Rubens

Robert-Dumesnil nr 105 to 119. Very good impressions. Complete set of a title, a frontispeice and thirteen plates. A foxing at the limit of the composition in plate 4; few rare small stains and marginal foxings otherwise very good condition. Edition about 1680-1700.

Albert FLAMEN
Actif à Paris + ca 1669 Paris
Etching

Albert FLAMEN
ca 1620 Paris ? + after 1669 Paris
Etching

Robert-Dumesnil nr 440 (II/III). Very good impression of 2nd state (of 3), with the number. Slight vertical crease at left; some slight foxings. Good margins. Second plate to a set of twelve illustrating the “Troisième partie des Poissons de Mer”. Watermark : coat of arms.

Robert-Dumesnil nr 469 5II/II). Very good impression of 2nd state (of 2), with the number. Slight oxidation of the sheet and some very slight foxings visible mostly on the back. Thread margins. Plate to a set of twelve forming the second “Partie de Poissons d’Eau douce”. Ex collection Defer-Dumesnil (Lugt nr 739).

Albert FLAMEN
ca 1620 Paris ? + after 1669 Paris
Etching

Hollstein nr 27 (III/III). Good impression of the last state with the last works. Title inscription on the back; some soft small creases; small thin paper area on two angles and small ink stain (?) on the left edge. Watermark : fragment of the Amsterdam coat of arms.