Hollstein nr . Very good impression, cut outside the square border, which is very slightly trimmed in the upper right corner, with the engraved number. Laid down on simili Japan paper; a small stain in the center; a few tiny foxing spots and areas of thinning. From a series of eight “Landscapes.” Formerly in the […]

Faucheux nr. 77. Le Blanc nr. 507. Very good impression with Henriet’s skill. Two vertical crease lines, one of which is the usual central crease; a few other faint crease lines and tiny broken creases; a tiny, restored tear on the left edge. Watermark: eagle (?). Thread margins or small margins. Very rare in this […]

Abraham BOSSE
1601 Tours + 1674 Paris
Etching

J. Lothe nr 279; Duplessis nr 1375. Good impression trimmed at the platemark, with Le Blond’s address. Second plate of the set “Le Mariage à la ville”.

Exhib. “Bosse” nr 200 (I/II). Good impression of first state (of two), with Le Blond’s address. Important vertical tear at right hastily repair of approximately 11 cm; thin paper area; dirt mostly on the back; a wormhole in a bordure. Small margins.

I.F.F. nr 1247. Very good impression. Some slight creases at top; glued by the upper angles on old laid paper. Small margins. A scholar, collector, and bibliophile, Trichet du Fresne served notably as librarian to Gaston d’Orléans and later to Christina of Sweden.

Abraham BOSSE
ca 1604 Tours + 1676 Paris
Etching and engraving

Duplessis nr ? J. Lothe nr 4. Good impression irregularly trimmed at the platemark. Thin paper areas pronounceds in the upper corners.

Good impression trimmed at the platemark. Slight creases, mostly in the lower right angle.

Abraham GENOELS
1640 Anvers + 1723
Etching

Adam Frans van der MEULEN
1632 Bruxelles + 1690 Paris
Etching by Jan van HUCHTENBURGH

Adriaen LOMMELIN
1620 Amiens + 1673 Anvers
Engraving after A. Sallaert

Adriaen van der CABEL
ca 1632 Ryswyck + 1705 Lyon
Eau-forte originale

Adriaen van OSTADE
1610 Haarlem + 1685 Haarlem
Etching and engraving

Impressions on laid paper, often with two subjects by sheet. Foxings, marginal folds, creases; the plates was used. The title plate and the portrait of the artist by Gole are added. Edition probably of the widow Jean ca 1830.

Adriaen van OSTADE
1610 Haarlem + 1685 Haarlem
Etching