Robert-Dumesnil nr 32 (I/II). Thuillier nr 181 (II/II). Very good impression trimmed at the platemark, of first plate (of 2), fefore Weyen’s address deletion. Fixed by the corner on wove paper; small skinned paper areas in the sky and vertical fold at right. Last plate of the set of six “Landscapes”. Ex collection Robert-Dumesnil (Lugt […]

Hollstein nr 136 (III/IV). Very good impression of 3rd state (of 4), before J. de Man’s address. Two short marginal tears. Good margins. Edition of begining of XVIIIth century.

Good impression of the only state (?). Creases; some thin paper areas. Good margins.

Robert-Dumesnil nr 98 (?/IV); cf Bartsch XV 267.98. Very good impression trimmed at the borderline of an indetermined state (of 4). Glued by the edges on laid paper; two small tears, one in the upper left corner, other in the letter; creases mostly soft and rare other defects.

Very good impression on strong wove paper, numbered and signed. Marginal oxidation. Wide margins. Edition of 60 impressions.

Very good impression on laid paper, numbered and signed. Some slight creases. Small margins. Edition of 50 impressions.

New Hollstein nr 128 (IV/IV). Very good impression on laid paper of the last state. Thread margins. Edition of the end of XIXth century.

New hollstein nr 206 (II/II). Good impression on laid paper of 2nd state (of 2). Tiny thin ponounced paper area in the right lower angle; slight iregularly oxidation of the sheet. Edition of midle XIXth century.

New Hollstein (van Dyck) nr 35 (V/V). Very good impression of the last state. Slight soft creases and rare foxings. Good margins. Edition of beginning of XVIIIth century. Kenelm Digby was diplomat, philosopher, writer and astrologer. It is also considered like the father de la bouteille de vin moderne.

New Hollstein nr 91 (II/II). Very good impression of 2nd state (of 2), with the numbers. Some very slight creases. Small margins. Plate to the set of “Views of Amsterdam”. Ex collection J.F. Bianchi.

Very good impression complete and enhanced with gouache and varnished, in a provençal setting or northern italy of XVIIIth century. Rare shards or small accidents at frame. The print has not been removed from its frame.