Good impression on laid paper, signed. Innumerable small foxings. Good margins. Plate to the set “La femme et la guerre”, 1920

Very good impression on laid paper, signed. Small margins. Plate to the set “La femme et la guerre”, 1920

Hollstein nr 7; P. Lafond nr 7 (after Bosch); Exhib. Fondation Custodia, Hieronymus Cock : The Renaissance in Print nr 62 (attributed to C. Cort). Good impression trimmed out the engraved frame, the letter cropped, of first state (of 2), with Cock’s address. Many small thin paper areas and small tears restored; vertical tear restored […]

I.F.F. nr 258. Good impression of 2nd state (of 3), before Basan’s address. Thread margins. Framed (not seen out of frame).

New Hollstein nr 335 (II/III). Very good impression of 2d state (od 3), with P. Galle’s address. A few very rare foxings or pinpoint; a pinhole and et a few slight creases. Good margins. Plate to the set of “New inventions of modern times”, 1588-1591.

New Hollstein nr 337 (II/III). Very good impression of 2nd state (of 3) with the number and P. Galle’s address. A few small pinholes at top; a few rare small foxings; some creases; small thin paper areas à la pointe des angles inférieurs. Watermark : double C crowned. Plate to the set of a title […]

Malassis and Thibaudeau nr 643; Bliss nr 643. Very good impression on old laid paper, (largement rehaussée) by the artist and signed. Rests of mounting paper on the sides of the back. Small margins.

Malassis and Thibaudeau nr ? Bliss nr 659 (I/II). Good impression on laid paper, signed, of first state (of two), before reducing platemark. Marginal tear at top; some creases mostly in the upper margin. Good margins. Edition of about 15 impressions in this state. Rare

Malassis and Thibaudeau nr 565 (II/VI?); Bliss nr 565; I.F.F. nr 243. Very good impression on laid paper of 2nd state (of 6) before the platemark reduced, heightened by the artist and signed. Small margins. The first three states would have only been drawn in a total of 24 trials.

M. and T. nr 582 (I/ ). Very good impressions on laid paper and on old laid paper, of first state and of 2d state (of ), before reducing the platemark and many works, signed. Marginal foxings à la seconde. Good margins.

Very good impression printed in colors on strong wove paper. Slight waterstain, mostly visible on the back. Rare. The engravings of Lefort des Ylouses involve complex techniques, very difficult to define. Starting with etching, it gains a certain relief, both by the thickness of the inks – of color – and by embossing the paper. […]

Good impression trimmed at the platemark printed in brown. Small lack in the lower right corner; break in the upper left corner. Rare.

Very good impression on strong laid paper, printed in colors and rehaussée de gouache. Small foxings mostly marginal and on the back; rubbing trace. Good margins. Antonio Balestra (1666+1740), italian painter, also executed également some beautifull etchings. Plate to the set “Rittrati di Pittori…” 1789 and next.

Very good impression on strong laid paper, printed in colors, with des rehauts de gouache. Small foxings and marginal stains; rubbing trace and a few creases. Good margins. Plate to the set “Rittrati di Pittori…”, 1789 et suivantes.

Robert-Dumesnil nr (2). Very good impression of the only state. A few creases, small stain at right on the top, rests of mounting paper on the back and glued by the left edge on strong wove paper. Rare. Although Robert-Dumesnil does not indicate it, due to not having met him, it most certainly exists a […]

Tabanelli nr 46 (I/II). Very good impression on laid paper of first state (of 2), before the ombrella, the cushion and the pinting, signed and dedicated “à mon ami Sagot”. Rares handling creases and rests of sticky paper at top on the back. Good margins.