J. Lothe nr 279; Duplessis nr 1375. Good impression trimmed at the platemark, with Le Blond’s address. Second plate of the set “Le Mariage à la ville”.

New Hollstein (after Goltzius) nr 548 (II/II) and 550 (II/II). Very good impressions of 2nd state (of 2), with the engraved numbers. Some creases, mostly in the corners. Thread margins. Plate to the set of “Ovid’s Metamorphoses”, 1589, including 20 subjects.

De Grazia Bohlin nr 207 (II/II). Good impression of 2nd state (of 2), the date changed. Upper left corner turn off; some small creases. Thread margins on three sides; small margin at foot. Watermark : anchor (?) encircled and topped with a star. Plate forming frontispiece of “Opera omnia” by Aldrovandi in 1606.

I.F.F. nr 15-4. Very good impression on china paper applied on wove paper, dedicated, signed and dated. Rare marginal defects. Wide margins.

New Hollstein nr 7 (VI/VII). Very good impression of 6th state (of 7), with the small features above the “M” of Adam. Tiny foxing point and marginal small hole associate; tiny other defects. Good margins. Edition ca 1720. Watermark : letter “Kit” (?).

Bartsch Ill. nr 30 (172). Good impression trimmed on or out the borderline, printed by two plates, one in light green, the other in black. Folds and creases mostly visible in raking light, some inherent at the edition; held by the left edge on a sheet of framing.

Bartsch Ill. 1098 (165). Good impression trimmed in the platemark, with engraved number. Glued by the upper edge. Plate to the set of “Various animal hunst and battle scenes”, 1602

Our drawing is probably preparatory of an atching by Berton. Signed bottom left. Creases at lower right; some tiny small foxings. Provenance : André Barrier (without mark).

Signed

Some creases, notably one vertical. On the back, study of clouds (?).

Recueil composé de six bois; le clown, l’homme orchestre, l’écuyère, la folle, le pirate, le vieil. La planche de titre (jaunie) numbered and signed à la plume by the artist. Impressions on thin japan paper, chacune sous passe-partout de l’époque. Le tout dans une chemise cartonnée avec une vignette collée de l’artiste. Rare foxings à […]

Good impression on laid paper in colors of the time. Small stain (?) in the middle towards the rights and probable trace of passe-partout at the window of the mounting. Small margins. Framed : not examined outside the frame.

Glued by three angles; some foxings and rares creases. Red stamp from the sale of his workshop (Lugt nr 15).

Collection of engraved portraits, titled “Le Cours des Écclésiastiques”. Very high volume formed in the middle of the XVIIth century compresing about 331 glued portraits, mostly of religious persons, french and flemish, of the XVIth and XVIIth centuries. In folio, in brownish calf binding of the time (ca 1660). Some defects to the binding. We […]

I.F.F. nr 1-4. Good impression on wove paper. Some foxings; vertical median strong crease. Small margins. Plate for the set “Vues et fabriques d’Italie”, 1803-1805.

Bartsch Ill nr 153. Good impression trimmed out the borderline. Strong fold at upper left; a break fold vertical at top; creases in the angles and horizontal.