Étienne DUPÉRAC
ca 1525 Paris + ca 1604
Etching

Eugène BEJOT
1867 Paris + 1931 Paris
Etching

Eugène COLLIGNON
1876 Namur + 1961
Woodcut

Delteil nr 65 (II). Delteil-Strauber nr 65 (II/VII). Very good impression on wove paper of 2nd state (of 7), with Motte’s address and bearing du certificat de tirage. Some slight small foxings mainly marginal; handling creases, mainly marginal. Rare. Our impression bears the stamp of censorship, à la date du 6 février 182(8) and signed […]

I.F.F. undescribed (?). Very good impression on greenish wove paper, annotated, dedicated and signed.

1864 Paris + 1938 Paris

Eugène DELATRE
1864 Paris + 1938 Paris
Drypoint

Very good impression on wove paper, signée. Good margins.

Very good impression on wove paper printed in bistre-brown, signed. Good margins.

Très belle épreuve sur vélin imprimée en couleurs, signée et dédicacée. Quelques très légères traces de plis souples.

Eugène ISABEY
1803 Paris + 1886 Montévrain
Etching, dry point and wash effect

A. Curtis nr 64 (II/III). Very good impression on china paper applied on wove paper, of 2nd state (of 3), before the change in the letter. Creases mostly marginal; small défects at the edges of margins. Plate to the set of six “marines”. Dry stamp of V. Morlot, editor.

Evariste Vital LUMINAIS
1821 Nantes + 1896 Paris
Etching

Beraldi nr 517. Bouillon Af 11 (?/V). Very good impression on old laid paper, of an indetermined state, probably print with “cache-lettre”. Small marginal stains. Good margins.

Beraldi nr 16; I.F.F. nr 133. Very good impression on laid paper, with many retouchs with pencil by the artist with a view to a possible reduction of the platemark. Slight oxidation at the window of an old mounting. Good margins. Very rare. Ex collection H. M. Petiet.

Beraldi nr 341 (VIII/IX). Good impression on japan paper, of 8th state (of 9), before the letter, dedicated and signed by pen. Some very rare defects in the subject; some small marginal accidents; foxing on the back.